: A publication of Jesuit Communications Australia
Podcasts (all articles)  |  Join us on Facebook   |  Follow us on Twitter
EUREKA STREET  
Search our site
You can search by topic, author, article title and keywords.
 

 

 

 

Advertisement



Advertisement

Advertisement

1pix
smaller font larger font print article Email this Article to a Friend Bookmark and Share
Home ยป Vol 22 No 22 > Quadriplegic sex and dignity
FILMS

Quadriplegic sex and dignity

Tim Kroenert November 14, 2012

The Sessions (MA). Director: Ben Lewin. Starring: John Hawkes, Helen Hunt, Wiliam H. Macy.

Mark (Hawkes), a charming and witty poet and journalist, is commissioned to write a feature about disability and sexuality. Himself a quadriplegic and a virgin, Mark's encounters with people who speak candidly about how disability hinders or enhances their sexual activity, stir his own romantic and sexual frustration.

He visits a therapist who suggests he meet with a 'sex surrogate', a woman who provides specialised sexual services. A devout Catholic, Mark first gains the approval of his local priest, Fr Brendan (Macy), then begins a series of sessions with the surrogate, Cheryl (Hunt). His interactions with her form the bulk of the film.

There is no doubt this is a human dignity issue for Mark. He reports to Brendan the humiliation of ejaculating involuntarily while being bathed. His decision to engage Cheryl's services comes only after his most recent attempt at initiating a romantic relationship. For Mark, the emphasis of his coital longing is on physical intimacy.

It is a weakness of the film that the priest is played mostly for comedic value. The sight of respected character actor Macy sporting a dorky mullet hairdo elicits only laughter. At one point Brendan shows up at Mark's house attired in sweaty lycra and headband, apparently having decided to pop in for a visit while out for a jog.

The character is a clown, not a 'fool' whose corny exterior belies his wisdom. When Mark first approaches him for advice, Brendan merely gazes momentarily at a crucifix on the wall before advising him to 'go for it'. During the film he mostly offers platitudes or looks uncomfortable as Mark recounts his encounters with Cheryl.

These scenes represent a missed opportunity to give weightier consideration to otherwise unspoken ethical questions, such as whether it is ever ethically defensible for a woman to be paid for sex — which might be seen to inherently exploit her — in the service of another's dignity (even that of a person with a disability).

The film is not concerned with this question and in truth does not suffer much for it. Cheryl is portrayed as a character with her dignity intact, in control of her encounters with Mark and demanding he respect her person and her privacy. Sex, as she teaches it to him, is a shared act between two equals, not a tool for male gratification.

On the other hand The Sessions is on firm ground with its affirmation of the dignity of those who experience disability, and should in fact be commended for its frank and humane treatment of such individuals' sexuality. This is true both of its portrayal of Mark and of the characters whom he interviews early in the film.

The 'sessions' themselves are particularly touching, conducted by the two actors with courage and sensitivity. In recent years Hawkes (Winter's Bone) has emerged as a character actor of chameleonesque quality; here he inhabit's Mark's immobile but not insensitive limbs completely. It is a career-best performance from Hunt, too.

The film reveals intimacy as a natural result of their physical interaction, even if ostensibly it is reduced to a financial transaction; Cheryl's struggle to keep the relationship professional provides a deeply affecting subplot. The Sessions has its flaws but on balance is one of the most effective life-affirming films you'll see this year.


Tim Kroenert headshotTim Kroenert is Assistant Editor of Eureka Street.


 

Bookmark and Share

Enjoyed this article? To ensure that Eureka Street can continue its 20 year publishing tradition, click here to make a donation to Eureka Street.

To email to a friend, click here.

 

COMMENT ON THIS ARTICLE

 

Submitted feedback is moderated. Email is requested for identification purposes only.

Name:
Email:
Comments:
Word Count: 0
(please limit to 200)
 


SUBMITTED COMMENTS

 

Pam15 Nov 2012

Thanks for this review. If this is a "career-best performance from Hunt" then it's a movie worth seeing for that fact alone - she's a very fine actor. I read an article recently about Ben Lewin, the director, and the story has very much a personal perspective for him. I'm unsure whether I'll be brave enough to watch this film though.


AURELIUS15 Nov 2012

This movie poses a challenge to traditional Catholic teaching on sexuality and emphasis on reproduction. I think the church really needs to have a deeper look at the importance of sexual intimacy and how dogmatic and rigid teachings have created an unhealthy and negative outlook towards what should be seen as a natural part of life - like food, clothing and shelter. Humans may be the only animals with a consciousness of morality/mortality, but we underestimate how little we know about how sexuality influences so much of our psychology/spirituality.


Catherine16 Nov 2012

As a person with quadriplegia acquired in my early 20s from a car accident, I was old enough at the time to have experienced some relationships and one involving physical intimacy. At the time, I know men found me attractive and sought me out. After I was injured, I was shunned, rejected and continually humiliated by the opposite sex especially single men of my own age. Over the succeeding decades this has largely remained the case. And this, together with continued attitudinal prejudice and oppression, has been the deepest psychic wound of my disability experience, much more so than any physical losses, any of the myriad frustrations related to poor access, loss of opportunities and long vanished dreams.

Bravo for the gift of this film which tells one of our precious stories with profound honesty and resounding truth. Frequently our lived experiences are mocked and discarded especially when it comes to matters of sex and intimacy. May there be many more such films telling it how it really is.


Edward F21 Nov 2012

I shall be seeing this film fairly soon. The trailer was enticing. Helen Hunt has the sort of strong feminine presence which would bring her part off successfully. I can think of few actresses who would be as good in the role. John Hawkes presents his character with the dignity it deserves. I am grateful for Catherine's excellent post about what someone in a similar position suffers. Bravo Catherine! Would that more people with disabilities like yourself would speak out like you. We need them to. William Macy's character has to be a clown: the traditional Court clown had an important role and was the only person who could say or do certain things without incurring severe retribution. From a traditional Christian - not just Catholic - way of thinking the film's way of presenting the moral dilemmas involved is paradoxical. Therein lies the point. Somehow love and dignity come up trumps. It is a Zen solution which needs to be intuited rather than understood in our normal logical way of thinking.


Catherine22 Nov 2012

Certainly, it would be terrible to disabled. Certainly, it is preferable to have sex (if you want to have it) than go without.Noone is saying the disabled are not sexual beings.However, the vast majority of prostitutes/sex industry workers don't want to be sex objects. Separating sex from love , and this is what Cheryl and Mark were doing, is prettied up prostitution. I know prostitutes and I know they suffer deeply and feel worthless, Let us not encourage men to think it is ok to use women.


Previous Articles by this Author

FILMS

Lives broken by false abuse claims  

Tim Roth with his arm around a smiling Eloise Laurence from the movie poster for BrokenWhereas The Hunt portrayed a small town gripped by paranoia after a sensitive and imaginative child's confused comments are taken out of context, in Broken the accusations are more sinister, used by a young girl to deflect consequences from herself, in full knowledge of the damage that her claims will cause to the accused.


TELEVISION

Cheap shots at religious fish out of water  

Freeman and Anthony from Holy SwitchWhile Anthony the Maronite is dismissive of his Buddhist hosts' beliefs, Freeman the Buddhist finds meaning in the symbols and rituals of Catholicism. The overly simplistic intention seems to be to set open and inclusive Eastern religion alongside narrow-minded, arrogant Western Christianity.


FILMS

Mixed messages about exploiting girls  

Characters in bikinis from Spring BreakersMelinda Tankard Reist says 'in a culture that rewards exhibitionism, your achievements count for nothing unless you're willing to get naked'. The characters in Spring Breakers are the end product of a culture that has commodified young women completely. But is it helpful to objectify women to make a point about objectifying women? 


FILMS

Ensnared by sex abuse paranoia  

Mads Mikkelsen in The Hunt Kindergarten teacher Lucas' life falls apart after he is wrongfully accused of abusing a young girl. We might feel outraged at his persecution, yet are his persecutors really guilty of anything more than taking a victim at her word? Rather than a cautionary tale, Lucas' story is best viewed as a tragedy.


FILMS

How an advertiser toppled a dictator  

'No' movie poster; paranoid-looking man looks over his shoulder, word 'No' is emblazoned above his headPinochet's supporters are, with good reason, banking on the populace's fear and willingness to maintain the status quo. Enter brash young advertising executive René Saavedra. His rusted-on socialist colleagues are at first aghast but gradually persuaded by his conviction that rather than wallowing in negativity, they should be selling optimism.


FILMS

The Palestinian who would be Jewish  

Jules Sitruk looks pensively into the distance in The Other SonA Rabbi informs Joseph that although he has been circumcised and celebrated his Bah Mitzvah, the revelations about his biological origins mean he must undergo 'cleansing' rituals to be accepted as a Jew. Religious institutions err when they elevate legalism over human need. In this instance the institution is found wanting.


FILMS

Rebuilding humanity after workplace horror  

Matthias Schoenaerts carries Marion Cotillard on his back during a scene from Rust and BoneStéphanie loses her legs in a workplace accident. Alain is a single father who becomes her confidante. Their sexual encounters are shown to restore and affirm her dignity; they highlight the physicality of the act, particularly how Stéphanie's confidence in her own changed body flourishes through it.


FILMS

Film takes sex abuse guilt to the Vatican  

Mary's face, weeping, in shadowsFr Murphy's atrocities include using the confessional as a lair in which to abuse his deaf students. With the Royal Commission already gathering steam, Silence in the House of God warns what revelations may be to come, and reminds those with high hopes for Pope Francis how much work remains to be done.


FILMS

Dawn of the Assange cult  

Alex Williams as young Julian Assange in UndergroundThe roots of Assange's civil disobedience are linked to his derision of his mother's penchant for ineffective peaceful protest. His family's run-ins with the mountain cult of which they were one-time members hints at lasting psychological trauma in Asssange that may contribute to his later persona as a lone avenger.


FILMS

Child soldier learns murder and motherhood  

Young African girl played by Rachel Mwanza holding a rifle. Screen cap from War Witch

Komona is just 12 when she is brutally conscripted by rebel soldiers. Before long she falls pregnant under horrific circumstances. The best that can be said about her situation is that it offers fragile hope that life may be made to flourish even in a landscape of violence and death.


More from this section

 

Sex, addicts and religious cults
Tim Kroenert 31-Oct-2012

Amy Adams, Philip Seymour Hoffman and Joaquin Phoenix faces from The Master movie posterI've never been a member of a cult, but I do have limited fringe experience of one fervent pentecostal church. The Master's portrayal of cult life chimes disturbingly with that experience. The cult members are attracted not just to the promise of meaning and belonging, but also to the eerie comfort of having someone else do their thinking.


Read more
4 comment(s) about this article.

 

Ways to unwind regret
Tim Kroenert 24-Oct-2012

Aubrey Plaza in Safety Not GuaranteedA narcissistic journalist's attempts to reunite with a former girlfriend reflect a human desire to resolve regret by returning to the past. Resolution for him lies in the agony and necessity of letting go. For his cynical intern and her eccentric friend, however, hope may be found in more metaphysical possibilities.


Read more
3 comment(s) about this article.

 

Amish psychopaths and Gandhian action heroes
Tim Kroenert 07-Nov-2012

Harry Dean Stanton looks grim in Amish garb, scene from Seven PsychopathsA grief-stricken Amish man stalks and psychologically tortures the man who murdered his daughter. A Vietnamese veteran seeks vengeance on the American soldiers who slaughtered his fellow villagers. But for one alcoholic writer, the idea of absolving violence through violence jars with his pacifistic leanings.


Read more
1 comment(s) about this article.