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Critics are right to say the marches are ineffectual in the face of bipartisan and popular support for Australia's brutal behaviour. But the faces of those who take part - refugees and activists, older Australians and children, churchgoers and atheists - witness that the Australian community can wear a compassionate face.
Is it any wonder that when I came to work in the press gallery I was cynical about arts policy? In those lockup hours scouring budget papers it was clear yet again the arts would not see any wins. It wasn't always this way. Prime ministers and arts ministers of yesteryear produced arts policy informed by their personal and political interest.
I've been thinking about my former students lately. Anyone who has ever spent time with young people over the past ten years would see something inevitable in the current moment over gun control in the US, where Parkland students are charging at the seeming edifice of the NRA - and leaving cracks.
I once read The Female Eunuch, the only bloke taking a course on feminism, admired Greer's chutzpah, knew she lived in England where I came to dwell on the edge of belonging. I mourn unplanned lives, mine, others', back stories, each of us carrying private clouds of sadness. What happened next, that distant dawn?
When New Zealand singer Lorde cancelled her 2018 concert in Israel, she joined the ranks of artists who boycott Israel to protest its occupation of Palestine. The Palestinian-led Boycott, Divestment, Sanctions movement is contentious in Israel/Palestine activist or Jewish circles, with some calling it anti-Semitic.
Yasmin opens the book and runs a lacquered fingernail down its table of contents. 'How we can seduce a man and not fall in love,' she reads. Then: 'How we can learn to keep secrets from men.' Is the government okay with this? 'What can you do?' Yasmin shrugs. 'Everybody knows people fall in love, have sex. This is how life works.'
It's a common refrain from survivors of clerical sexual abuse, often heard when church leaders try to explain away their failure to listen and respond to the crimes of their peers: 'They just don't get it.' Up until recently, Pope Francis has seemed to 'get it' in his response to the crisis of abuse. But recent events have raised doubts.
Though public health activists in the Philippines point to the church's influence in keeping sex education out of schools and contraceptive sales low as a major factor in the country's rising HIV rate, when it comes to taking on Duterte the church is the country's strongest progressive force. But that may be set to change.
There’s no reason to judge the success of a protest by whether it achieved its desired outcome: the adage ‘it’s a marathon, not a sprint’ rings true. Effective change is a matter of increment; it has to happen at every strata of society. Protests bear the brunt of proving success, when the burden for change actually exists with the system they’re opposing.
Prime Minister Malcolm Turnbull has pushed state premiers to hand over their drivers' licence database in order to enhance facial recognition systems, particularly at airports. COAG has agreed, with the ACT insisting that only perfect matches be used for non-counterterrorism purposes. It is hard to find this reassuring.
The anti-Russian frenzy in the United States amounts to little more than a great deal of evidence that the intelligence community suspects there might be a great deal of evidence that the Russians have been meddling. It has to rank as one of the biggest, and most orchestrated, blind alleys of modern media coverage. When a journalist says an anonymous ‘respected source’ thinks the Russians are up to something, this writer is always left wondering: respected by whom? His dog?
One lone man daring to interfere with the evil plans of the rich and powerful: it’s not exactly a new angle, but there are a few scraps of satisfaction to be found in Joel Hopkin’s latest film Hampstead – just not in the realm of originality. It’s a sleepy story that meanders along with a mildly pleasant mediocrity.