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There are two laws for how to get out of a hole: the first is to acknowledge you are in one. The second is to stop digging. I suspect Peter Dutton won't care too much for this advice. He is clearly enjoying his job, playing the populist card with great aplomb, including recently in his advocacy for white South African farmers.
A holistic, culture-sensitive ecological justice has its roots in the feelings, actions and awareness of each person and their relationships: human and otherwise. Organisations, a manifestation of our collective culture, must engage with the ecological challenges and not leave it to the individual, privatised space.
Today we celebrate the tenth anniversary of what was a graced day in our nation's history. Back then, our elected representatives on both sides served us well. A heartfelt apology was given and received. We are all the better for it.
Fatima Measham speaks with Francis Sullivan, CEO of the Truth Justice and Healing Council, to reflect on the journey since the Royal Commission was first announced in November 2012 and to consider what are the next steps for the Church.
I have been working with Sudanese youth for over eight years and never encountered anything like the gangs of youths that are being talked about. To try and distill an entire culture, with various sub-cultures and values, into a media soundbite about hordes of African gangs, insults not only the Sudanese community, but every Australian.
The inquiry into Indigenous incarceration in Australia recognises and validates widely held concerns. On the other hand, it also represents the abject failure of successive governments around the country to pay heed to what we do know about the incarceration of Aboriginal and Torres Strait Islander Australians.
A small group of lay Christians in Perth, including myself, were so worried that our institutions might not wholeheartedly embrace the recommendations of the Royal Commission into Institutional Responses to Child Abuse that we decided not to wait to find out.
We may feel momentary relief that a dangerous little villain is being dealt with. But the cost of imprisonment is heavy: a malleable child whose path might have changed is stunted in their development and sent to a preparatory school likely to graduate to a lifetime in adult prisons.
As the credits came up, my companion looked at me and said, 'Scary.' I turned from the screen and shook my head. My voice wouldn't quite come. 'Life,' I said. It was the character of Joyce Byers who most captivated me. I, too, have been so anxious that I forgot how I looked to other people.
The phrase 'no means no' has been bandied about for so long that is has become almost cliché. For many years, it was a great tool for explaining the basics of consent. If someone says no to something, don't do it. But 'no means no' is a tagline, not the start and end of the conversation, and there are obvious gaps in a 'no means no' framework.
Her suffering is just as severe as any of my dying patients endured. From time to time she contemplates suicide. I cannot assist her to take her own life and it is important that I cannot. My role, when all else fails, is to sit with her, to understand her powerlessness and mine in the face of her suffering, and help her find a way through.
When it comes to creative license, a necessity when adapting a novel of the scope of IT, every decision comes with costs and benefits. In an era where creators of popular entertainment are increasingly, and rightly, held to account over matters of representation, it is strange and disappointing that decisions would be made where the cost is to reduce a major, richly written character to a mere side note, and in so doing to diminish diversity, in a story that already sorely lacks it.