Search Results: Tim Kroenert

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  • ARTS AND CULTURE

    Who killed Amy Winehouse?

    • Tim Kroenert
    • 02 July 2015
    2 Comments

    There are early signs of the substance abuse that would later see her become a target of gleeful media scorn, and ultimately cause her death at the age of 27. But during one interview from the dawn of her career she reflects that if she was famous, she would go mad. She was painfully aware of the gap between the persona painted by a spiteful media and fickle public, and the preternaturally talented working-class girl from London who just wanted to sing.

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  • ARTS AND CULTURE

    Inside the trauma of childhood change

    • Tim Kroenert
    • 25 June 2015

    Pete Docter was inspired to tell this story after observing changes in his preteen daughter's personality. His research included consultation with psychologists specialising in emotion, including University of California professor Dacher Keltner, whose insights included the role of sadness in strengthening relationships. The story is an exploration on the effects on children of loss and change, and the role of pain.

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  • ARTS AND CULTURE

    Dubious revolutionary Russell Brand takes it to the banks

    • Tim Kroenert
    • 18 June 2015
    3 Comments

    Few would deny the comedian and self-styled revolutionary has fire in his belly. He wonders why, in the wake of recent financial crises, more bankers have not gone to prison. These are salient questions, and Brand doesn't baulk. But there is a touch of Bono about Brand: wealthy and egotistical, you have to wonder how much of his invective against 'the one per cent' is a case of the pot calling the kettle black.

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  • ARTS AND CULTURE

    Missing girls expose town's threadbare soul

    • Tim Kroenert
    • 11 June 2015

    World-weary detectives Juan and Pedro arrive in an agrarian township on Spain's Guadalquivir Marshes to investigate the disappearance of two teenage sisters. But their investigation among the town's various innocents, eccentrics and reprobates uncovers a much larger, sinister burr within the very soul of the town. The smell of fascism lingers thickly in the air.

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  • ARTS AND CULTURE

    Child assassin's slow escape from cult corruption

    • Tim Kroenert
    • 04 June 2015

    The children, their mothers and overseer inhabit a world all their own, morally as well as geographically. They know little but the rustic textures of life inside the compound; where every Friday they paint their faces like jungle animals and sing karaoke as a reward for a good week's killing. Even during their bloody errands, the urban landscape evokes a Martian dereliction. Only Alexander has started to smell danger.

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  • ARTS AND CULTURE

    Seeking restitution for Nazi art theft

    • Tim Kroenert
    • 28 May 2015
    4 Comments

    Maria's aunt was the subject of one of Austria's most famous artworks, Portrait of Adele Bloch-Bauer I, by the painter Gustav Klimt, which was stolen from Maria's family by the Nazis during the Second World War. Maria's story raises questions about the means and consequences of individuals and nations coming to terms with difficult histories, and of what constitutes 'ownership' of cultural artefacts with a high level of national significance.

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  • ARTS AND CULTURE

    Rollicking ruminations on rage and revenge

    • Tim Kroenert
    • 21 May 2015
    1 Comment

    A man sets in motion an elaborate scheme to get back at everyone who has ever done him wrong. This maniacal anthology of short cinematic stories earned an Oscar nomination this year along with a bundle of other accolades in its native Argentina and beyond. The darkly comic 'Little Bomb' shows a man's life and mind unravel as he rages against the perceived injustice of a parking infringement penalty.

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  • ARTS AND CULTURE

    Stage legend's age rage

    • Tim Kroenert
    • 14 May 2015

    Famous actor Maria Enders finds herself cast in a new production of the play that kick-started her career. The play explores the tempestuous relationship between a businesswoman, Helena, and her much younger assistant, Sigrid. Back then, Maria played Sigrid. Now, she is to portray the older woman. Through her engagement with the material she probes her own ambivalence and insecurities about getting older.

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  • ARTS AND CULTURE

    Women exploited on the road to human extinction

    • Tim Kroenert
    • 07 May 2015
    1 Comment

    Nathan has been able to refine Ava's software thanks to his unmitigated access to internet users' search data, as well as to their telecommunications. Caleb, too, wonders if his attraction to Ava is due to her design being based on a review of his internet pornography profile. It is no coincidence that Ava replicates an idealised version of the female form. Nathan's and even Caleb's relationship to her is fundamentally exploitative and voyeuristic.

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  • ARTS AND CULTURE

    Kids fight exploitation in one of the world's most dangerous cities

    • Tim Kroenert
    • 30 April 2015

    The boys possess the steel and resourcefulness that must come from living on the streets of one of the world's most dangerous cities, along with the fragility and artlessness that are hallmarks of youth. It is heartbreaking to witness the ease with which they are exploited or degraded, and inspiring to see the fervour and ingenuity with which they are able to fight back.

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  • ARTS AND CULTURE

    Vera Brittain's elegant anti-war ode

    • Tim Kroenert
    • 23 April 2015
    5 Comments

    Vera, a latecomer to the gathering, interjects. She has worked as a nurse, has had her hands warmed by the blood of the maimed and the soon-to-be-dead of both sides of the conflict. She has lost loved ones, too — a brother, a friend, a fiancé — and the grief of their loss will be with her always. But how can violent conflict ever be truly redeemed through the trauma of more violent conflict? The German soldiers who died in the war left behind loved ones, too.

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  • ARTS AND CULTURE

    Abuse victim's post traumatic horror

    • Tim Kroenert
    • 16 April 2015

    The manner in which Hugh drugs and binds Jay has strong overtones of 'date rape'. More than this, though, there is inherent violence in his having had sex with her at all, knowing that her consent hinged on her ignorance of the real consequences. Now, to be fair, there are men in the film who suffer, too. But the objectification of women by the male gaze and the predatory dynamic this entails is too pervasive to ignore.

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