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Magic, we’ve discovered in our first years of parenting, is an important part of raising children. It’s a lesson we’ve learned, at least in part, thanks to Bluey on the ABC. For those of you who haven’t yet encountered this little blue dog and her family, Bluey is the star of one of the ABC’s most popular Australian kids series.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
An everyday exercise in planning and humility is gardening. For amateur gardeners, at least, planning, planting, pruning, watering and placing all have their place. But ultimately the plants make their way and take their individual shape.
The issue of class, economic inequality, has for some time been conspicuously absent in contemporary political debate. In the wake of COVID-19, which will greatly exacerbate income and wealth disparities, such inattention must be addressed.
The coronavirus pandemic has been utilised by Latin American governments — prominent examples being Brazil and Chile — to militarise societies, criminalise resistance and normalise violence.
When watching a news clip recently I was taken by a young woman’s attitude to the coronavirus restrictions. When asked how they had affected her, she said simply, ‘It is what it is’. The answer suggested an impressive acceptance far from the outrage, frustration and resentment that in the circumstances would not have been surprising.
These statues form part of the rich texture of our daily lives, personal histories and cultural environment. They invite tolerant smiles rather than scowls. This article celebrates a selection of friendly Melbourne statues that have reflected places where they and I have stood. It invites you to make your own selection.
A commonly heard phrase, or rather media cliché, is that after the COVID-19 crisis ‘things will never be the same.’ It is an understandable sentiment, given the seemingly unprecedented nature of recent events. But how novel is what happened, and how much will actually change?
Public mask wearing — including ‘a piece of cloth, a scarf, bandana, t-shirt, or paper towel’ — was hot on the global public health agenda. One major demographic, however, had trouble fashioning this expert advice: men.
At the fringes of the legal system, there are areas of work you probably won’t read about in law school career guides. Many of these deal in trauma or poverty. They are substantial, but they aren’t celebrated or pursued by the mainstream of the profession. They generally attract neither money nor prestige, and in many cases the ‘market’ fails to provide paid jobs of any sort, irrespective of need.
Nothing in the world is single, as Shelley said, and we have proof of this in the general reaction to COVID-19. That spirit, however, seems to have its limitations. For some politicians are set on dividing people, rather than on uniting them.
The Vietnam Moratorium in Melbourne was one of the most momentous events to occur in Australia in the post world war two era. It led to a seismic shift not only in Australia politics but also within society. The moratorium, held fifty years ago today, was a historic achievement in how it united diverse groups behind the goal of ending Australia’s role in the Vietnam war.