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One trick used by those opposing the boycott of Eurovision is to describe Israeli colonialism as a 'conflict'. Instead of emphasising the importance of decolonisation, 'compromise' is celebrated. But compromise between the coloniser and the colonised is a dangerous political game.
When refugees write accounts of their lives they usually express gratitude to the nation that has received them. A Child Escapes, in which Francis Deng describes his life from Lost Boy of Sudan to refugee in Kenya to bank employee in Australia, is no exception. Left unsaid, but equally important, is the gift he and other immigrants are to Australia.
The thrust of the Morrison government's changes is one of heavy handed and forced deferral, outsourcing government policing by vesting it in social media platforms. Israel's Cyber Unit, by way of contrast, has been seeking the same object via more subtle means, collaborating with Facebook and YouTube to remove errant posts and content.
That leaden weight in my chest is back. My self-diagnosis is heartache, and once upon a time I thought I'd get to the stage at which this heaviness would leave me for good, but I know now that this is never going to happen, at least not as long as I am engaged in my back-and-forth movements between Greece and Australia.
To devote the same day to reflection on both Down syndrome and on poetry, though probably unintended, was a very human thing to do. Precisely because one is so commonly regarded as a defect and the other as an idle activity, we need to be reminded that both are a gift.
On the morning of your last day there are eight people, including me and my daughter, who is a music therapist and has played music for people as they die as part of her clinical practice. After discussions during the week, first with you and then with your neurologist, it was decided that she will sing for you and the people with you today.
Maybe I'm just a bleeding-heart lefty, but I hope that most people would answer this question with a 'no'. Unfortunately, if you read the comment section of any news story on the recent spate of drug-related deaths at music festivals you will find a mixed response.
Because this story is in the political arena, it seems vicious comments from celebrities, politicians, and countless others are made with impunity. And we wonder why young people can be so cruel online and why it is so hard to educate them that words matter; that words hurt. Then, as they say, the story got complicated.
The point of the involvement of God in the minute details of human life is to assert the value of the human world in all its relationships. This means that the customs and practices of our Australian Christmas should not be dismissed as a corrupted and so inferior version of the Christian celebration. They should be appreciated in their own right.
While Melbourne has long been the city of protest, it is also a major global centre for quality protest music. The songs are defiant, political, loud and proud; they're staunch, they're angry, they're educative, they're funny and they demand to be listened to. These local bands are full of women, queer-identifying people, or people of colour.
Next year will mark the 800th anniversary of the future Saint Francis of Assisi's historic meeting with Malik-al-Kamil, the Sultan of Egypt, during the Fifth Crusade. As we hear or sing seasonal songs of peace and harmony, there are some lessons we can learn from that quirky piece of history.
The cast of mostly unknowns is multiracial and spans the spectrum of sexual orientations and gender identities. Not long ago that might have seemed transgressive, but these days it seems like the least that could be hoped for from a piece of mainstream entertainment.