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Search Results: film

There are more than 200 results, only the first 200 are displayed here.

  • ARTS AND CULTURE

    The inconvenience of being doomed

    • Megan Graham
    • 10 August 2017
    5 Comments

    'The evening news has become like a nature hike through the Book Of Revelations,' says Al Gore, the politician-cum-climate activist who made waves with his Oscar-winning 2006 documentary An Inconvenient Truth.

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  • ARTS AND CULTURE

    Inter-racial marriages finally get some attention

    • Megan Graham
    • 03 August 2017
    3 Comments

    About one in six newlyweds in the United States is involved in a ‘mixed marriage’, according to the Pew Research Center. At home, the percentage is higher; in 2009 approximately 42 per cent of marriages involved at least one partner who was not born in Australia.

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  • MEDIA

    Why having a female Dr Who matters

    • Neve Mahoney
    • 27 July 2017
    12 Comments

    It was recently announced that the thirteenth iteration of the main character in Doctor Who will be played by Jodie Whittaker. A woman. In 2017, the casting of a white woman in a major TV role is hardly revolutionary, except that the role is the Doctor, a regenerative alien who can take on the appearance of anyone, but has for 12 iterations tended towards the persona of a quirky British white man.

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  • ARTS AND CULTURE

    The thin line between apes and humans

    • Megan Graham
    • 26 July 2017
    9 Comments

    I came to the Planet of the Apes films a little late, thinking it was just a bit too far on the silly side for my tastes. But with time to kill on a holiday in 2014, I watched Rise of the Planet of the Apes and Dawn of the Planet of the Apes and found myself surprisingly invested in the emotions of the characters. Released in Australia today is the latest episode: War for the Planet of the Apes.

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  • ARTS AND CULTURE

    Civil War gender power games

    • Tim Kroenert
    • 19 July 2017

    This is a deliberate subversion of typical, destructive Western tropes by Coppola, in which it is the male character who is objectified by the female gaze. In this she probes how this particular man either thrives under or is stymied by such objectification. John is more than aware of the sexual and romantic stirrings he has aroused among his new companions. But in his assumption that his objectification is empowering, he has utterly underestimated the emotional and psychic complexities of those doing the objectifying.

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  • ARTS AND CULTURE

    Search for the meaning of afterlife

    • Tim Kroenert
    • 13 July 2017
    2 Comments

    C is waiting for something; for the meaning of his truncated life, perhaps, and of his marriage to M, to become clear. Divorced from linear perceptions of time, he rushes into the future, to witness the cityscape that replaces the suburban neighbourhood; and into the past, where he views the aftermath of the massacre of a colonial family. Amid this in-folding of time, and the evidence of death and transience, the partygoer's nihilistic prognostications echo fiercely. But they do not satisfy the truth-seeking C.

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  • ARTS AND CULTURE

    Black clown's 'house slave' awakening

    • Megan Graham
    • 05 July 2017

    Malcolm X famously delineated two types of slave: the 'house Negro' and the 'field Negro'. Although a 'house slave' is closer to their oppressor and receives special privileges, they are still a slave. Chocolat in his role as the clown Auguste seems to be just another kind of house slave. Despite his success he is still maligned and at the mercy of masters. While rubbing shoulders with the rich and famous, he is routinely denigrated. Attention, he learns, is not the same as respect.

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  • ARTS AND CULTURE

    A sensitive view of high school gay romance

    • Tim Kroenert
    • 29 June 2017
    1 Comment

    Some films seem custom made for the high school English curriculum. First Girl I Loved should be essential viewing and a conversation starter for teenagers and their parents, for its sensitive and authentic exploration of the lived experiences of young people coming to terms with their sexuality in a high school context.

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  • ARTS AND CULTURE

    The Lady Macbeth of Northumberland

    • Tim Kroenert
    • 21 June 2017
    2 Comments

    Catherine arrives a new bride, with husband Alexander, to take up residence in his luxurious rural home. Quickly we get a sense of how little control she has over her destiny. Alexander demands she remain inside the house at all times; when one evening she wishes to go to bed early, her father-in-law orders her to remain awake for her husband. In the life of the household, she is merely an attractive object. Yet like her Shakespearean forebear, she is not averse to manipulation and violence in pursuit of her goals.

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  • ARTS AND CULTURE

    Who killed Whitney Houston?

    • Tim Kroenert
    • 14 June 2017
    1 Comment

    Running parallel to this is Houston's intimate, long-time friendship with Robyn Crawford. Broomfield stops short of characterising it as romantic; others do not, and space is given to rumination about the difficulties of being a black, gay woman. In any case, the friendship sparks tension with Brown, and disapproval from Cissy. Crawford's abrupt departure from the tour is another turning point. In Broomfield's thesis, Houston's drug habit is a reaction to these various threats to her authenticity.

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  • ARTS AND CULTURE

    Raising feminist men in 1970s America

    • Tim Kroenert
    • 07 June 2017

    Abbie introduces Jamie to the paired liberating movements of punk rock and second-wave feminism. Both lead to illuminating experiences, from his first rock concert, use of alcohol, and kiss, to being beaten for casting aspersions on a peer's grasp of female sexual anatomy. His relationship with Julie on the other hand provides a difficult counterpoint. His peevish concern over her promiscuity is largely possessive; his theoretical understanding of women's agency falling down in the face of adolescent hormones.

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  • ARTS AND CULTURE

    Strong women heroes of grim abduction parables

    • Tim Kroenert
    • 24 May 2017
    1 Comment

    If two current Australian films are anything to go by, then one social issue weighing on local filmmakers in 2017 is the danger to women of emotionally and physically violent men. Neither film is a mere portrait of victimhood. The heroes of Cate Shortland's recent Berlin Syndrome and Ben Young's upcoming Hounds of Love - in the former, an Australian traveller in Europe, in the latter, a teenage school girl in suburban Perth - are ordinary women with both the will and capacity to fight back against their assailants.

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