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Socialite and amateur operatic soprano Marguerite cuts an intriguing and tragic figure, devoted to her craft but oblivious to her lack of talent. Yet the joy she gains from believing she is a great singer doesn't depend on the reality or otherwise of that belief. Is it right or wrong for those who care for her to allow her to continue in her delusion? The question echoes the concept of a life-lie, invoked by Henrik Ibsen to argue that human beings are sometimes better off living in at least partial ignorance of reality.
My grandson Nikitas is ten. When his name was chosen I was haunted by memories of Russian leader Khruschev and his long-ago shoe-banging performance at the United Nations. My son and daughter-in-law patiently explained that their son was to be called after Nikitaras, a hero of the Greek War of Independence. Thankfully, young Nikitas does not divide the world into friends and enemies, at least not so far. But he is very competitive; perhaps his name, which means invincible, influences his outlook.
The government, the Greens, and Senator Nick Xenophon want to keep the debate about electoral justice as narrow as possible because they are offering some technical improvements. But they shouldn't be allowed to rush their reforms, which must be separated from the idea of a double dissolution election driven by a determination to cut short the terms of sitting micro-party senators. The anti-major party feeling among a significant minority of voters cannot just be condemned as mere populism.
Sports journalists shape narratives. There is drama intrinsic to sport, but the sports journalist draws it out, identifying heroes and villains, and slotting each performance into a broader arc. The power to influence the way the public understands a game or player ought to be wielded carefully. Too often, it is not. This is best demonstrated by the ways in which commentators and journalists speak about Indigenous athletes. A simple superlative can be loaded with more than a century of cultural baggage.
Eilis' profound homesickness is evoked by the letters she composes for and receives from her long distant sister and mother. Her sense of awe at this new world is revealed in her interactions with the other, more brazen boarders; and at work, where she is chided by her manager for being too shy with customers. Gradually, familiarity and opportunity allow her to grow in confidence. Her coming-of-age is defined as gradual self-empowerment through the making of small, and sometimes large, choices.
It would have made a great April Fools joke, if it wasn't February. On Wednesday, we woke to the news that Greg Hunt, environment minister in the most anti-environment government in Australian history, had been awarded 'World's Best Minister' at an international summit in Dubai. But maybe the award had nothing to do with Hunt's track record at home. In the grubby way of politics everywhere, maybe it is a favour returned. A thank you from an oil-rich nation for making it look good in the past.
Where does this need for punctuality, performance and productivity arise? I don't believe it is rooted so much in 'western culture' as it is in capitalism. There is, after all, time for many kinds of dithering in the literature that charts western society. Socrates could barely tie his own sandals — he'd never make his job network meeting on time. Hamlet is entirely premised on the drama of procrastination: some things, like killing one's paternal uncle who is also the king, seem better fit for tomorrow.
From the drama-filled mind of a pre-teen girl to the homes of former Indonesian death-squad members; from a day in the life of a transgender sex-worker to a grim and sublime new rendition of one of Shakespeare's most famous plays; from one actor's immense ego to another's fading relevance to an allegedly doomed writer's captivating self-effacement, Eureka Street's resident film buff Tim Kroenert revisits the characters and themes of some of the best and most conversation-worthy films of 2015.
The End of the Tour is most compelling as a consideration of the relationship between journalist and subject, which is a strange kind of beast, glorified in the sprawling feature profiles of Rolling Stone and its ilk. At its best the relationship is marked by intimacy generated through dialogue, but at its worst or it is mutually exploitative. Scenes from this year's Amy Schumer press junket revealed how bad things can go when an interviewer thinks they are going to befriend their celebrity interviewee.
The vitriol with which much of the liberal mainstream media responded to Tony Abbott's Margaret Thatcher memorial speech last month confirmed what many rightwingers have been claiming: that Abbott's problem was not his policies, but his inability to sell them. As communicators, he and Turnbull are poles apart. To date, the most striking achievement of the Malcolm Turnbull confidence trick is that he's rewarded for his apparent progressivism, even when he speaks explicitly against it.
Following its whitewashing of 'wife-beater' Ant-Man and the Black Widow slut-shaming debacle, Marvel has a long way to go to show it is not one big boys club. Alias, basis of the new series Jessica Jones, is one example of a modern day Marvel comic that, in the words of pop culture critic Roz Kaveney, offers a 'rebuke to the convenient pieties of the comic book', by proving that comics can be thematically rich, and can take serious issues — such as the physical and sexual abuse of women by men — seriously.
In the midst of hard times Greeks are good at practising what I call the Noble Art of Distraction. Nina and I were walking one night when our attention was caught by impromptu music. 'That's Cretan,' announced Nina. It transpired that one of the young men of the neighbourhood was to get married, and had turned up in order to have his prenuptial close shave and a haircut. The barber and his mates had decided that the occasion could not go unmarked, and so the modest festivities began.