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I harbour a quiet pleasure at seeing dull square buildings of grey concrete slabs scintillatingly covered with outlandish swirls of colour. We know why they do it: to resist boredom, to challenge conformity, to strike out at a world that is not listening, to leave a mark when all other avenues are closed.
Fr Frank Brennan SJ's address at the 'Ethics in a Multi Faith Society: Muslims and Christians in Dialogue' Conference, Conference under the auspices of the Fethullah Gulen Chair in the Study of Islam and Muslim-Catholic Relations, Australian Catholic University, Melbourne, 23 November 2011.
Fatima Meesham speaks frankly about the ups and downs of migrating to Australia from the Philippines. She explains that she delayed becoming an Australian citizen until she was satisfied there was enough common ground between her values and those of the Australian Government.
'The failure of the Rudd and Gillard administrations', said Paul Keating last week, 'is the lack of an over-arching story.' Eureka Street poetry editor Philip Harvey believes poets have a role in articulating a sense of meaning and direction that is lacking in politics and the media.
'We can not achieve justice by acting unjustly.' Throughout her long and colourful legal career, Moira Rayner has been an unwavering advocate for human rights. A series of personal and professional crises in 2005 led to a reappraisal of her life, which included the discovery of a totally new spiritual direction.
Mary visited Rome as a young religious woman when she was being persecuted by local bishops for being too independent. She got a good hearing from the Pope and great assistance from Fr Anderledy who became the Superior General of the Jesuits. If only Bishop Bill Morris could have received the same sympathetic hearing.
Controversial Fairfax art critic John McDonald is scathing in his assessment of the 60th Blake Prize for Religious Art. His frustrated search for traditional religious symbols in the works reveals a lack of understanding of the role of images within Australia’s living religious imagination.
Since its inception 60 years ago the Blake Prize for religious art has courted controversy. Several recent entries have been denounced in the media as blasphemous or sacrilegious. This year's exhibition presents a striking portrayal of contemporary multifaith Australia.