Search Results: east timor

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  • ARTS AND CULTURE

    No cheap shots

    • Keith Shipton
    • 14 May 2006

    Keith Shipton celebrates the photography of Michael Coyne.    

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  • INTERNATIONAL

    Echoes of war

    • Dawn Delaney
    • 11 May 2006

    Dawn Delaney examines the unwelcome legacy of violence against women following the conflict in East Timor.

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  • AUSTRALIA

    Hands on

    • Morag Fraser
    • 11 May 2006

    Morag Fraser meets recent travellers to East Timor.

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  • AUSTRALIA

    Volatile democracy

    • Dewi Anggraeni
    • 11 May 2006

    The forthcoming presidential elections in Indonesia are certain to surprise.

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  • ARTS AND CULTURE

    Return of the native

    • Gary Pearce
    • 10 May 2006

    Gary Pearce follows Mourid Barghouti’s journey to Palestine in I Saw Ramallah.

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  • AUSTRALIA

    Bearing witness

    • Kirsty Sangster
    • 08 May 2006

    Kirsty Sangster looks at the effectiveness of truth commissions.    

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  • AUSTRALIA

    Replacing neglect with engagement

    • John Langmore
    • 30 April 2006

    John Langmore reflects on the relationship between Australia and the United Nations

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  • ARTS AND CULTURE

    Here I go on my way

    • Peter Pierce
    • 30 April 2006

    Luke Fraser reviews On the warpath: An anthology of Australian military travel, edited by Robin Gerster and Peter Pierce.

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  • INTERNATIONAL

    The case for reconciliation

    • Kirsty Ruddock
    • 29 April 2006

    Is Australia’s intervention in the Solomon Islands healing the wounds of the tension?

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  • AUSTRALIA

    Morning in East Timor

    • Morag Fraser
    • 27 April 2006

    Traces of Rome have become part of the scenery.

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  • AUSTRALIA

    Just neighbours

    • Madeleine Byrne
    • 27 April 2006

    Madeleine Byrne explores the boundaries, both geographical and moral, between Australia and Timor-Leste.

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  • ARTS AND CULTURE

    Sumatran reflections

    • Madeleine Byrne
    • 25 April 2006

    John Mateer’s Semar’s Cave: An Indonesian Journal is best appreciated for its lyrical reflection and vivid detail, writes Madeleine Byrne.

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