Search Results: film

There are more than 200 results, only the first 200 are displayed here.

  • ARTS AND CULTURE

    Great white filmmakers can't dismiss diversity

    • Tim Kroenert
    • 10 March 2016
    6 Comments

    When questioned about diversity in his films recently, Joel Coen replied: 'You don't sit down and say, "I'm going to write a story that involves four black people, three Jews, and a dog".' The answer is disingenuous at best. Filmmakers choose what stories to tell and how; with a few exceptions, the Coens tell stories about white men. Just as Quentin Tarantino ought to continue discussing the role violence and misogyny play in his films, the Coens should engage meaningfully with questions of diversity.

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  • MEDIA

    #HollywoodSoMale

    • Catherine Marshall
    • 03 March 2016
    7 Comments

    Chris Rock's hosting of the Academy Awards was a win-win culmination of the #OscarsSoWhite campaign in which no actual person had to take the blame. Instead, a faceless institution named 'Hollywood' was rapped over the knuckles for its racism while the flesh-and-blood white faces that represented it could get on with the business of congratulating themselves. While all this mollification was going on, there was another, gargantuan prejudice saturating the air these celebrities were breathing.

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  • ARTS AND CULTURE

    Humanity found in ritual amid death camp horror

    • Tim Kroenert
    • 03 March 2016

    In the history of the Second World War and the deathly screed of the Final Solution, the Sonderkommando cuts a pitiable figure. These Jewish prisoners at Auschwitz and other death camps who were forced to perform the logistics surrounding mass murder - the carting and disposal of dead flesh - though patently victims, were viewed by some as collaborators. Son of Saul provides an immersive and impressionistic extrapolation of this ethical and actual horror.

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  • ARTS AND CULTURE

    Marriage interrupted by a life-lie disrupted

    • Tim Kroenert
    • 25 February 2016

    As Kate plans a party for their 45th wedding anniversary, news arrives that the body of Katya, Geoff's long-dead first love, has been discovered in a Swiss glacier. The 'life-lie' that emerges turns out to be not so much a concealment but rather a minimisation of truth. The disruption it causes to an ostensibly happy marriage comes not in the form of shocking revelation, but slow-dawning realisation; not that Geoff isn't the man he purported to be, but that Kate may not be what she believed herself to be, to him.

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  • AUSTRALIA

    Self-care as political warfare

    • Somayra Ismailjee
    • 24 February 2016
    4 Comments

    Feminist writer Audre Lorde wrote that 'Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare.' In medical professions, the term 'self-care' originated in reference to the self-management of illness. Self-care, however, also exists in the context of social justice, extending beyond physical wellness to cater for a holistic approach that includes emotional, mental and spiritual fulfilment. The need for this is rooted in the burden of oppression.

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  • ARTS AND CULTURE

    Gentle view of an Irish-American migrant experience

    • Tim Kroenert
    • 18 February 2016
    1 Comment

    Eilis' profound homesickness is evoked by the letters she composes for and receives from her long distant sister and mother. Her sense of awe at this new world is revealed in her interactions with the other, more brazen boarders; and at work, where she is chided by her manager for being too shy with customers. Gradually, familiarity and opportunity allow her to grow in confidence. Her coming-of-age is defined as gradual self-empowerment through the making of small, and sometimes large, choices.

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  • ARTS AND CULTURE

    Puppets' portrait of privilege and pathos

    • Tim Kroenert
    • 11 February 2016

    As screenwriter for comic such oddities as Being John Malkovich and Adaptation, Kaufman delineated a particular type of over-educated, middle-class, white male character. His protagonists are artists whose alienation and self-loathing is at odds with their social privilege, and whose creative drive entails a winnowing for authenticity or immortality that leads them inexorably down the rabbit hole of their own navels: the search for meaning as the ultimate act of self-absorption.

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  • ARTS AND CULTURE

    The problem of privilege in transgender stories

    • Tim Kroenert
    • 04 February 2016
    11 Comments

    As a white, middle-class, straight, cisgendered man, I am conscious of the extent to which the chips of social privilege have been stacked in my favour. As such there are some public conversations that I am patently unqualified to enter. One of these is the sometimes fierce debate that exists between some feminists and some members or supporters of the transgender community. One of the pitfalls of telling a story about marginalisation from a perspective of privilege is that you can overlook ethical nuances.

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  • ARTS AND CULTURE

    Kidnapped woman's post-traumatic love

    • Tim Kroenert
    • 01 February 2016

    For seven years, Joy has been held prisoner in the garden shed of a suburban maniac. During this time she has raised a son, Jack, who is now five, employing elaborate and imaginative methods to nurture and educate him, while protecting him from the reality of their existence. Room is remarkable for its capacity to transmit the bleakness of Joy's situation via the wonder-full gaze of Jack, for whom this makeshift prison is the entire world, bursting with possibilities for recreation, rest and learning.

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  • AUSTRALIA

    Alice Springs is still a contested space

    • Mike Bowden
    • 29 January 2016
    9 Comments

    The Northern Territory News and the ABC reported this month that the Central Australian Affordable Housing Company had been unsuccessful in its tender for continuing tenancy services to the Town Camps of Alice Springs. Despite being a product of the Intervention, CAAHC had developed a powerful model of community housing and had the support of the Central Land Council and the wider Aboriginal community. It appears that these are not attributes the NT government admires.

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  • ARTS AND CULTURE

    Quietly uncovering a Church scandal

    • Jim McDermott
    • 28 January 2016
    4 Comments

    Not long ago a priest visiting from abroad told me that the story of Spotlight doesn't really apply to his country. 'We don't have that problem here.' It's a comment you get somewhat regularly from some parts of the world. Would that it could only be true. Without a much greater willingness on the part of the institutional Church to let itself be broken and changed by what we have learned since January of 2002, it's more likely a sign of disasters still to come.

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  • ARTS AND CULTURE

    The time to look away from abuse crisis has gone

    • Richard Leonard
    • 28 January 2016
    18 Comments

    This is one of the angriest films you will ever see. In the Bible we hear about righteous anger, where God or humanity realises something is so wrong and sinful that 'holy anger' is the first and right response. At its best in the scriptures this anger leads to justice, making things right. Spotlight is an occasion for holy, righteous anger and every adult Catholic should see it.

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