Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
The chaos embedded in these characters' world is made clear through physical symbols - Chiron flees from bullies into an abandoned drug den, where he finds a used syringe and holds it up to the light like a talisman - and by the camera, which trails and circles the characters, or locks onto their faces, a conduit for their grief or desperation or lust or rage or joy. Bursts of actual violence or dramatic confrontation are rare. Where they occur it is their emotional content that is most confronting.
Manning became the victim of an institutional drive to target whistleblowers, with the centrepiece of the prosecution focusing on computer crimes and the Espionage Act. Despite the eventual commutation of her 35 year sentence, the severity of that sentence demonstrated the gulf between the cosy, public relations air of an administration keen to project certain achievements and its stomping on those keen to disclose inappropriate and illegal conduct in the security and intelligence services.
The perspective is Jackie's at all times; JFK himself rarely appears onscreen, and often is just a shoulder or a jaw glimpsed in profile at his wife's side. Portman's is a fine portrayal, displaying at all times an abiding grace and dignity, whether she is washing her husband's blood off her face, or facing down the questions of an astute journalist who may or may not be on her side. In the making of the Camelot myth, Jackie models the presidential funeral on Abraham Lincoln's, by this very process rejecting her brother-in-law Robert's doubts that the Kennedy presidency ultimately amounted to much at all.
A few years ago I woke up on Christmas morning to see a small, neatly wrapped gift under the tree. The size and shape were familiar and I was excited to see my name on the gift tag. I'd wanted a new phone all year ... one with one of those touch screens everyone else seemed to have. A few months later I could no longer feel pride for my phone, instead just guilt. I'd sat down and watched a documentary about how phones just like mine were manufactured.
Amid the noise of Batman battling Superman, the Avengers turning against each other, and middle aged fanboys whingeing about the Ghostbusters franchise being revitalised with an all-female lead cast, 2016 has actually been a pretty solid year for movies, both in and outside of Hollywood. We haven't had time to see them all (we have a magazine to publish, after all) but nonetheless here is a list of our ten favourite films reviewed in Eureka Street this year.
To be in the running for a scholarship, a student must have had their abilities or potential acknowledged and rewarded within an ideological education system. Where the money comes from - and whom it is given to - informs what kinds of artwork thrives. As Didier Eribon says, 'art, culture and education are part of the mechanisms of differentiation between social classes'. And the institutional frameworks underpinning the production of artwork can lead to pernicious political outcomes.
Families can be sites of great love and nourishment, and also of pain and trauma - often, all of these things, to varying degrees. The Family Fang focuses on the lives of adults bearing the mental and emotional ramifications of what can fairly be described as an abusive upbringing. It provides an illuminating counterpoint to Little Men, in which the close and sincere friendship of teenage boys comes under strain from their parents' 'grown-up' problems.
I'm a 36 year old white Australian who grew up middle class in suburban Adelaide. I can count on one hand the number of households in the streets I lived on which were always-already made up of a mum-dad-kids scenario. The research on children's attachment, development and resilience shows kids need meaningful, culturally appropriate relationships with caring and competent adults in order to thrive as human beings. These adults can be pretty much anyone as long as they fit that bill.
A recent Screen Australia report determined only 5 per cent of characters in Australian TV dramas could be identified as LGBTQI; less than half the proportion of real-world queer individuals in Australia. Media products are inherently normative, legitimising identities and lived realities through visibility. This is important, given the continuing debates surrounding marriage equality and the pervasiveness of homophobia, the result of which was seen in the suicide of 13-year-old Tyrone Unsworth.
The welfare system Daniel experiences is a bureaucratic nightmare, populated by condescending Health Care Professionals, shadowy and calculating Decision Makers, managers who loom over their clients like stern parents, and caseworkers who stifle any human compassion for their desperate supplicants. He is grilled by a welfare officer about every aspect of his health except the only relevant one, his heart. Later, he runs afoul of the agency's 'online by default' processes. Daniel has never used a computer in his life.
The last 30 days have seen some big developments in the ongoing attempts of Premier Weatherill's plan to import high-level and intermediate level radioactive waste. On Sunday 6 November came the surprising decision of the Premier-initiated Citizens Jury. By the end of their six day deliberations, the 350 second round jurists showed a decided shift in opinion. Their 50 page report, presented to a somewhat discomfited Premier, had a strong two thirds majority against the dump.
In science fiction, stories of first contact typically have as much to say about humanity as they do about the extra-terrestrial creations of the author's imagination. Mary Doria Russell's 1998 novel The Sparrow explores the consequences of a Jesuit-led mission to a planet near Alpha Centauri, which are profound for the planet's sentient inhabitants and devastating for the human travellers. As in The Sparrow, language is central to Quebecois filmmaker Denis Villeneuve's philosophically piquant first contact story Arrival.