ARTS AND CULTURE

Section: ARTS AND CULTURE

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  • ARTS AND CULTURE

    Eye on the messy ethics of drone warfare

    • Tim Kroenert
    • 23 March 2016
    5 Comments

    With more than 30 dead in Brussels just a few short months after the horrors in Paris, the Western world again confronts an assailant in ISIS who deals in fear and bloodshed. In contemplating our responses to such attacks we recognise the historical and current geopolitical realities that have bred the ideologies that fuel them. This messiness is the stuff of a new British film that arrives in Australia this week, which explores the plight of those who might be 'collateral damage' in the hyper-technological 'war on terror'.

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  • ARTS AND CULTURE

    Lazarus at our gate (Easter poems)

    • Bill Rush, Marlene Marburg, Maureen O'Brien, John Cranmer
    • 21 March 2016
    3 Comments

    To be fair, he wasn't a leaner, he was one of the lifters. Helped to keep the country running, so to speak, and speak he did often, on many topics. He was a leader, and felt justified when others, in the region, followed his lead. It wasn't that he didn't see Lazarus, but more that he saw him differently. Break the rules, help one starving beggar and before you know it there will be a flood of them on your door step. That's how he argued and plenty agreed. Judgement day was a long way off.

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  • ARTS AND CULTURE

    The Tale of Meddling Mama Daniel

    • David Ishaya Osu
    • 20 March 2016
    3 Comments

    My elder sister was negotiating with a mobile seller of wears, and a neighbour, fondly called Mama Daniel, interfered, asking the seller not to sell to my sister, Elizabeth. And my sister pounced on the 40-something-year-old woman. They exchanged blows on their bodies. And my sister, who was more muscular and raging, grabbed the woman's wrapper and opened her secret. This is where everything ended and began, simple and complicated. Elizabeth has been a psychiatric patient since 2006.

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  • ARTS AND CULTURE

    The epic life of the real Iphigenia

    • Gillian Bouras
    • 15 March 2016
    9 Comments

    It was a bright winter's day when we visited Iphigenia. Long widowed, she was meticulously turned out in black traditional outfit. Iphigenia is not sure how old she is; she thinks she is 86. Anglophones regularly make a hash of this beautiful name, the correct pronunciation of which is Ifeeyainya. But the ones I know are intrigued by the mythological character, who was ill-fated, to say the least. I soon learned that there had also been ample sorrow and trauma in the life of the modern Iphigenia, too.

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  • ARTS AND CULTURE

    Great white filmmakers can't dismiss diversity

    • Tim Kroenert
    • 09 March 2016
    6 Comments

    When questioned about diversity in his films recently, Joel Coen replied: 'You don't sit down and say, "I'm going to write a story that involves four black people, three Jews, and a dog".' The answer is disingenuous at best. Filmmakers choose what stories to tell and how; with a few exceptions, the Coens tell stories about white men. Just as Quentin Tarantino ought to continue discussing the role violence and misogyny play in his films, the Coens should engage meaningfully with questions of diversity.

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  • ARTS AND CULTURE

    Homeless truths from an agent against poverty

    • Brian Doyle
    • 08 March 2016
    8 Comments

    The tall man had worked for the Brotherhood of Saint Laurence for years, and long ago had lost any illusions about the overarching nobility of people who were hammered and lost and helpless against addictions, diseases, crisis and tragedy. I asked him about the most wonderful people he'd met, and he told me some amazing stories, and then I asked him about the worst, and he told me some horrifying stories, and then his face twisted and he told me about the worst of the worst.

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  • ARTS AND CULTURE

    Home, alone and stoned

    • Peta Edmonds
    • 07 March 2016
    7 Comments

    I've run out of dope. This is my last ever toke of synthetic pot, I hope. There's synthetic people, but my heart drops like a coin into a homeless man's hat. The eternal night isn't very maternal. Of all those people sleeping on a concrete mattress under a black sky doona ... The homeless have faces like empty spaces. No solution to their heads in the pollution, and their feet in the gutter. The poor gather on the banks of the flowing street. The rain hits the roof in pain.

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  • ARTS AND CULTURE

    Humanity found in ritual amid death camp horror

    • Tim Kroenert
    • 02 March 2016

    In the history of the Second World War and the deathly screed of the Final Solution, the Sonderkommando cuts a pitiable figure. These Jewish prisoners at Auschwitz and other death camps who were forced to perform the logistics surrounding mass murder - the carting and disposal of dead flesh - though patently victims, were viewed by some as collaborators. Son of Saul provides an immersive and impressionistic extrapolation of this ethical and actual horror.

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