Search Results: National Gallery of Australia

  • ENVIRONMENT

    Forecast: political storm over energy

    • Greg Foyster
    • 08 December 2017
    4 Comments

    Summer is here, and so is the political spin about blackouts. This year, with a record November heatwave in Victoria and a press gallery hypersensitised to energy politics, the blame game started early - well before anything has actually gone wrong.

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  • RELIGION

    Playing second fiddle to Magda on marriage

    • Frank Brennan
    • 25 October 2017
    76 Comments

    I said I would be very happy to play second fiddle. I wanted my presence to assist a respectful dialogue. I wanted to make it clear that a thinking and compassionate Catholic could have good reasons for voting yes. I wanted to insist that respect and endorsement of loving same sex relationships did not preclude consideration of issues such as freedom of religion.

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  • ARTS AND CULTURE

    A few crumbs from a table of plenty

    • B. N. Oakman
    • 09 October 2017
    2 Comments

    He's not difficult to find. Black men stand out in rich barrios. He'll be standing outside the supermarket, smiling, a self-appointed doorman selling a magazine nobody buys. His name is Samuel. He's from Ghana. His father is dead. He sends what money he can to his mother. He has no papers and no work because he has no papers. Madrilenos offer small change after shopping.

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  • ARTS AND CULTURE

    You beaut country

    • Tony London
    • 03 July 2017

    His baseline is country, ridges, lakes, breakaways, songlines, and we are taken along the skylines of his imagination which shoulders its way through the streamers of the players race, colours askew, bursting out into the field of play where we are invited into his game, his rules, goal posts he moves forever, we engage with the master gamer.

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  • ARTS AND CULTURE

    GOMA's summer of frivolous art

    • Sarah Klenbort
    • 13 December 2016
    5 Comments

    I will always remember the first time I saw Giacommeti's statues in in Europe. They were grotesquely thin, elongated people. Giacometti explained how he tried to make people with more flesh, but after World War II and the six million, it was impossible. And so those statues reflect the time he lived in. Queensland's Gallery of Modern Art, on the other hand, is celebrating its tenth anniversary, and has chosen fairy floss and rainbow fuzz to reflect our current society.

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  • INTERNATIONAL

    Cultural ownership and responsibility is not just a fad

    • Esther Anatolitis
    • 04 October 2016
    10 Comments

    Who owns a cultural object? Who has the right to determine cultural values? And how can public institutions exercise cultural responsibility? It's a timely set of questions as we consider the implications of the National Gallery of Australia's return of ancient Indian sculptures, the British Museum's refusal to return Indigenous objects, or Lionel Shriver's rejection of minority cultural identities. Each of these unleashes complex, painful consequences that can undermine cultural value or cultural safety.

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  • AUSTRALIA

    Mediscare blame obscures government's weaknesses

    • John Warhurst
    • 03 October 2016
    5 Comments

    The main message of the 2016 election review delivered recently at the National Press Club by Tony Nutt, the federal director of the Liberal Party, was that Turnbull only failed to have a convincing victory because of the 'Mediscare' by the Labor Party. It is a message that deflects attention from the current and past weaknesses of the government and the prime minister. It is like a football coach who after a loss or a narrow win blames his team's performance on the dirty tactics of the opposition.

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  • INTERNATIONAL

    Ai Weiwei is the cultural hero that China needs

    • Jeremy Clarke
    • 16 December 2015
    3 Comments

    Ai Weiwei might be more Dada than Dao and a hirsute satirist of Beijing's rulers, but he is no mere trending hashtag. Since his birth in 1957, his life history has moulded him, and given him the courage to speak up for a reformed China. And while he might appear the court jester that a simplistic West wants, he is in fact a clever and pragmatic political operator in his own world pursuing a rights agenda in a systematic, constructive and humorous way, often through artistic production.

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  • ARTS AND CULTURE

    Working mum contemplates balance amid chaos

    • Jen Vuk
    • 27 November 2015
    1 Comment

    The tweet I sent that afternoon pretty much summed things up: 'Running late for work-life balance seminar. Why? Life, of course.' The irony was not lost on me. While officially I work part-time, I also freelance as a writer, volunteer regularly at my kids' primary school, have increasingly frail elderly parents who I feel terribly responsible for, and try to keep fit and maintain some semblance of a social life. On the day of the seminar on work-life balance, I'd managed to fill my schedule to breaking point.

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  • ARTS AND CULTURE

    The rhetorical question with an answer

    • Maureen O'Brien
    • 24 June 2015
    4 Comments

    What can you do? There's comfort arising from an internal acknowledgement of the fact that, however painful it might be, there are some things beyond our control. But certain role models in our community - including anti domestic violence campaigner Rosie Batty - have demonstrated through their actions that it is possible to move beyond a seemingly all pervasive sense of resignation.

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  • ARTS AND CULTURE

    The enigma of the island

    • Ian C Smith
    • 23 June 2015
    3 Comments

    Our salt-blasted car rental veteran guzzled fuel, gearbox a disaster gasping past wallaby roadkill leaving the dramatic volcanic mountainscape for glimpses of carved bays, Crusoe beaches contrasting with weathered scrub, still farms.

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  • MARGARET DOOLEY AWARD

    Our future is public

    • Andy Lynch
    • 27 August 2014
    9 Comments

    The kind of Australia we live in today can be directly attributed to the kinds of institutions built 150 years ago - schools, universities, libraries, museums, and more. But in 2014 is it even possible to carve out new public institutions or give new life to those that have waned in relevance?

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