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As artificial intelligence evolves, warnings of an AI surpassing us in cognitive abilities grow louder. Yet, these threats, which echo sci-fi nightmares, are met with skepticism and complacency, rather than fear. Are our human minds, fine-tuned by evolution to grapple with tangible, immediate threats, ill-equipped to comprehend the abstract risk of a runaway AI?
As we tread the thin line between technological progress and ethical responsibility, King's urgent appeal is for critical reflection on the unchecked march of technology – a timely reminder of the need to retain our intrinsic human characteristics amid relentless digital advancement.
In a conversation with Eureka Street, investigative journalist Nick McKenzie explores the drivers of human trafficking and sex slavery, examining the intertwined roles of law enforcement, the sex industry, and the migration sector in one of the most pressing social justice issues of our time.
Arguably Australia's most celebrated novelist, Tim Winton conjures up images of ocean surf and wild remote beaches, having spent decades exploring the mysteries of the natural world in the pages of his novels. Now, speaking to Eureka Street, Tim Winton discusses his new documentary Ningaloo Nyinggulu and why we need to rethink our relationship to the wild.
When chief film critic for The New York Times left his dream job after 23 years, he blamed the lack of original and imaginative work in an industry dominated by conglomerates. While many are lamenting the state of film, the question remains: what does it mean for an art form to diminish?
While our lives plod along in an ordinary groove, the great writers astound us and lift us on to another plane. The state of reading, Dessaix believes, is one of intense attention: in every true reading of literature in adult life, we revert to that early attitude of plasticity and innocence before the text.
For Father Bob, being a priest entails getting his hands dirty, giving everything of himself, and doing what he thinks is right, even if doing so upsets power structures; especially if it upsets power structures, if they have contributed to the plight of the downtrodden. (From 2013)
Prisons are settings to which TV and film writers return regularly. It’s because ‘the joint’ gives them an environment in which they can enact the dramatic principle of the crucible easily: tension between duelling inmate protagonists and antagonists is heightened quickly to boiling point because no one can simply walk away.
As the collapse of Silicon Valley Bank, Signature Bank, and Credit Suisse poses a renewed threat to the global financial system, the question arises: how can we manage out-of-control debt? With global debt exceeding 230 per cent of GDP, could nationalising banks be the solution to the ongoing crisis, or will the debt merry-go-round continue to spin out of control?
Despite the revelations of abuse by its founder Jean Vanier, the communities of L'Arche have remained intact and welcoming with safety protocols in place. The challenge for L'Arche has been in transcending its founder and facing a painful process of re-evaluation, with the aim of living an ethos of equality and inclusivity.
At the end of the third episode of the Netflix biopic Dahmer – Monster: The Jeffrey Dahmer Story, as the ‘Watch Next Episode’ timer ran down, I turned it off and haven’t returned. At time of writing, Dahmer was the number three-ranked show on Netflix Australia. Why are viewers willing to watch? And against the scale of such horror, can there be any redemption?
There is no popular groundswell for constitutional change in the direction of a republic just at this moment. The parliamentary recess, the proclamation by the Governor General of our fealty to the new King, and the public holiday were all a bit embarrassing. The parade being over, we can go back to gawking at the Royal Family much like Americans do. The question of what monarchy means for us feels best left alone for a while.