Author: Gillian Bouras

  • AUSTRALIA

    Ordinary heroes shine on suffering

    • Gillian Bouras
    • 29 January 2016
    9 Comments

    Nobel Laureate Isaac Bashevis Singer often made his characters ask the eternal questions, chiefly Why do we suffer? I can't profess to have any answers to this, except that it is obvious that 'time and chance happeneth to all'. Two examples of such happenings are the huge numbers of ill-fated refugees fleeing Syria and other trouble spots, and the needless death of young Sarah Paino of Hobart, wife and mother, who was killed when a speeding stolen car crashed into hers.

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  • INTERNATIONAL

    Serpents dispersed by the Greek art of distraction

    • Gillian Bouras
    • 04 November 2015
    7 Comments

    In the midst of hard times Greeks are good at practising what I call the Noble Art of Distraction. Nina and I were walking one night when our attention was caught by impromptu music. 'That's Cretan,' announced Nina. It transpired that one of the young men of the neighbourhood was to get married, and had turned up in order to have his prenuptial close shave and a haircut. The barber and his mates had decided that the occasion could not go unmarked, and so the modest festivities began.

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  • ARTS AND CULTURE

    Growing old in Australia is a difficult business

    • Gillian Bouras
    • 07 October 2015
    9 Comments

    Well, I know the dehumanising rot began to set in a long time ago. I have a vision of George Orwell sitting on a cloud and wringing his hands in renewed horror, for now the business model and associated language appears to have taken over the world. In short, the changes in aged care could be counterproductive, as the aims of streamlined access and equity may result instead in the development of barriers and more inequity. Growing old clearly means more hard work, and more adjustment.

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  • ARTS AND CULTURE

    Thoughts on a lonely God

    • Gillian Bouras
    • 10 August 2015
    12 Comments

    When my son was four, he asked me one night, 'Why did God make the world and us?' I nearly broke a plate while searching for an answer; in the event, he beat me to it. 'I think he did it because he was lonely.' Perhaps the great, 'blasphemous' Greek writer Nikos Kazantzakis also considered the possibility of God's loneliness, for at one stage he wrote: 'My God and I are horsemen: we ride and converse.'

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  • ARTS AND CULTURE

    Two goats, a sheep and Grexit

    • Gillian Bouras
    • 01 July 2015
    4 Comments

    In the early hours of Saturday, Prime Minister Alexis Tsipras had announced a referendum for July 5. Whether the average Spiro and Soula has much idea of the macroeconomic issues seems doubtful. I certainly haven’t. And there is not much time for them or me to learn. Spiro and Soula and I are naturally concerned about the supply of ready cash.

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  • ARTS AND CULTURE

    Greeks suffer as leaders quarrel

    • Gillian Bouras
    • 23 June 2015
    6 Comments

    My youngest son, who lives in central Athens, is on the phone. ‘What do you think I should do with my money?’ he asks. The New York Times likens Europe and Greece to two prize-fighters, but I suspect that this is a male take on the matter. The women on the scene, Chancellor Angela Merkel and IMF chief Christine Lagarde, are more or less playing the part of the firm mother to naughty, quarrelling boys.  

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  • ARTS AND CULTURE

    Speak of the Devil no longer

    • Gillian Bouras
    • 20 May 2015
    19 Comments

    The Death of God debate raged on and off several decades ago. Now it's the Devil's turn. Medieval clerics believed he was everywhere. Earlier this year the General Synod of the Church of England decided it was time for him to retire, and have 'disappeared' him. 

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  • ARTS AND CULTURE

    The death of bullying victim Vangelis Giakoumakis

    • Gillian Bouras
    • 08 April 2015
    7 Comments

    Here in Greece, a 20 year old youth was subjected to concentrated and constant bullying, and eventually he could bear no more. Who knows, really, what triggers bullying? Except that bullies, who are always cowards, invariably select as victims people who seem weaker and thus vulnerable to pressure, both physical and psychological. Vangelis seems to have been the sort who could not or would not fight back.

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  • ARTS AND CULTURE

    The case for defending children and their advocates

    • Gillian Bouras
    • 25 February 2015
    10 Comments

    Children have always suffered and been exploited. Only recently have been regarded as being children at all, rather than mini-people. Reformers like Dickens raised consciousness beginning in the 19th century. Bombs are raining on children in Syria and elsewhere. Not so Australia, but many are being damaged nonetheless. The Australian Human Rights Commission is having to defend its report on Immigration Detention from critics that include the Prime Minister.

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  • ARTS AND CULTURE

    Aussie diggers' pen as mighty as their sword

    • Gillian Bouras
    • 17 December 2014
    9 Comments

    A soldier's life is usually one of bursts of brief action followed by extended periods of drudgery and boredom, and never was this more true than during this dreadful war of attrition that dragged on apparently interminably between 1914 and 1918. A book titled Aussie was published in 1920 as a bound collection of AIF soldiers’ own paper of the battlefield, wholly written, illustrated and printed in the field. 

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  • ARTS AND CULTURE

    Homage to the king of herbs

    • Gillian Bouras
    • 03 December 2014
    7 Comments

    In pride of place on this feast day, a modest silver cross lies in a glass case. The cross is surrounded by leaves of basil, the plant that was supposedly found growing on the True Cross when it was discovered by St Helen in 326. The word basil means king, the plant is considered the king of herbs, and bunches of it are always used in the sprinkling of holy water.

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  • INTERNATIONAL

    An erstwhile pacifist's IS quandary

    • Gillian Bouras
    • 02 October 2014
    11 Comments

    I used to style myself a pacifist. Or hoped I was one. Or something. But that was before I had children. The minute I clapped eyes on my first-born, I realised that any threat to him would see me transformed into a murderous monster, and I later felt the same about his two brothers.

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