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How does a German teenager, the daughter of a Nazi perpetrator, face up to the fall of the Third Reich, and the revelation of the regime's true nature? 'It wasn't like the war ended, Hitler committed suicide and everybody stopped loving him,' says Australian-Jewish filmmaker Cate Shortland.
It is often the poor who suffer most in a disaster. When the polar ice caps melt, rising seawaters flood an impoverished southern American bayou town. The survivors destroy a dam that keeps the nearby city dry and their village flooded. The indictment here of the prosperous West is hard to miss.
A teacher commits suicide in her classroom. Her replacement wants to help his students explore their grief, but is met with resistance from other staff members. There are echoes here of institutional cover-ups, where a colleague is protected at the expense of the wellbeing of children.
They stop short of calling it Go Back to Where You Came From: Celebrity Edition, but it's hard to escape the view that SBS is going out of its way to top the ratings success of the original series. There's not much insight to be gained from watching Catherine Deveny and Peter Reith snipe at each other, fun as it may be.
One moment he is an elderly beggar woman, so stooped that all 'she' sees is stones and feet. Next he is a monstrous vagrant, who crawls out of a sewer and terrorises passers-by with hilarious ferocity. He integrates seamlessly with his environments, and others interact with him as if this — this — is his true face.
Author Kathy Lette recalls: 'We girls were little more than a life support system to a pair of breasts ... Once I realised Germaine Greer wasn't just rhyming slang for beer, I wanted to write down our story.' Puberty Blues is what you get when teenage girls with a grudge show the world what they're made of.
The anti-American rhetoric is direct and effective, the phrase AMERICAN WAR OF AGGRESSION a recurring, pulsating slur. Yet who would deny it, faced with this photographic account of Vietnamese suffering? There are at least two versions of any war, and this is theirs. But there are others.
Eric Packer is 'the one per cent', who stoically discusses economics with his chief advisor even as an anti-capitalist protest broils outside his limousine; Occupy reimagined as animal anarchy, with protestors yielding spray-paint and dead rats; 'the 99 per cent' of the besieged city raging to reassert their worth.
As far as US politicians are concerned, blaming Batman for the massacre at Aurora is as good as hiding their heads in the sand. The larger issue is not violent entertainment, but gun control. Ironically, the Batman films take a decidedly thoughtful approach to violence in general, and gun violence in particular.
A politician learns he has a degenerative neurological disorder. His marriage is a partnership where political expediency has long supplanted affection. His estranged daughter is a religious minister and wavering ex-addict. He exudes invincibility in public, while privately he is forced to confront his own mortality.
The therapist's office is a place where frankness is imperative, and self-examination an artform. Among the current batch of patients are a displaced Indian widower, and a gay teen with a self-destructive streak. The audience is left to ponder whether the doctor or the patient is the more deeply disturbed.
Young playboy Jonah learns he has testicular cancer and will be infertile within a matter of weeks. His only shot at biological fatherhood is to get a woman pregnant, soon. Initially there is a glib desperation to this veritably existential quest. But Jonah soon appreciates that parenthood is not something to be entered into lightly.