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Any tourist to this spot presumably stands in awe under the character, having crossed the full delineation of Chinese territory, and then gazes out over the Heilongjiang to Russia on the other side. North: them. Here: us. Cue national pride.
He's recently retired / But not voluntarily and he / Walks down the street / With his two dinky dogs / Saying, off to the grind, as / I trudge up the hill, but / There is so much pain / In his voice as the trusty / Dinky dogs drag him on / Into the new world
Whenever institutional interests are put ahead of the legitimate concerns of others, including the poor and marginalised, there develops a trust deficit. This deficit is gripping institutions here and overseas. Its impact is deep and destructive. Facets of Catholic Social Teaching point the way to reversing the downward trend.
Drought creeps, infiltrates, sometimes seems little changed day after day, then tightens its grip on this or that paddock, unveils the slowly splitting bottom of a never-before-empty dam ... Even still, according to many of the experienced, crisis-hardened men and women on the land to whom I've spoken, this drought is different.
When the law and the media do their job competently, we can work together to ensure that children are safe and that initiatives such as the national redress scheme deliver truth, justice and healing for all. Once they join a populist movement without regard to the important role they play in ensuring that truth and justice are done, all society is in trouble.
Film buffs might regret there's not a more detailed technical breakdown of Bilcock's craft. Still it it is a warm-hearted tribute to the art of editing, the process by which a film takes its final form, often as different from what was shot as the footage isfrom the original script; and to one editor whose sense of character and audience is hailed by these directors as defining their films.
The bushland forms part of the scant wild space remaining in coastland eroded by development. I speak my husband's name. 'Look,' I whisper. The bright green bird lies still in the late afternoon light, showing no signs of life. But the rosella is scrambling. No obvious cause of injury is visible.
The commentary around the film's appropriation of Japanese culture has been sustained and substantial. At least these allusions are for the most part detailed and respectful; that the hero is named after a defunct American video game company is less palatable. Trickier still are the creative decisions related to language.
I have always been footy mad. I played in high school, and joined a women's league when I was 16. For me and the record numbers of women who have taken up Aussie Rules over the past year, seeing women playing at the elite level in the AFLW is a dream come true. But it has a way to go until it is revered the way men's football is.
The antecedents of Right-White Nationalism have, over three decades, entered mainstream Australian discourse. In Romper Stomper, it is represented by far-right group Patriot Blue, and a TV shock jock resembling those that Peter Dutton speaks to. But Romper Stomper doesn't pretend violence is the monopoly of the right.
When my auntie died, she left behind a little blue samurai fighting fish who lived in a murky tank by himself. He was a loner and a survivor, having gone days without being fed, and being ignored, as he swam in the dark waters of life all by himself.
You'd swear a dinghy was alive. Sometimes she was sluggish and moody, refusing to set, dragging me along a grey sea. Or she hurtled like a stallion, not caring if we won or if we went over, me hanging off the side by my ankle straps, not knowing where we would end.