Search Results: Hollywood

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  • INTERNATIONAL

    Rehabilitating Mexico's Hollywood image

    • Garry Westmore
    • 19 October 2015
    3 Comments

    Hollywood need not deny the violence cartels have perpetrated upon one another, members of the public, police and military. But to almost exclusively engage with Mexico in terms of this violence provides a badly limited perspective on that country. Hollywood does something similar when it goes to Africa and tells only stories of warlords and child soldiers. To do so brings nothing to the conversation, but merely exploits tragic situations for the benefit of laughs and action.

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  • ARTS AND CULTURE

    The man who gave the Twin Towers their soul

    • Tim Kroenert
    • 14 October 2015
    1 Comment

    In 1974 eccentric French acrobat Philippe Petit walked a tightrope between the recently completed Twin Towers of the World Trade Center. He and his team of accomplices, aware of the illegality of what they were doing and the complex physical challenges of rigging a cable between 400-metre-tall skyscrapers (let along walking on it), spent months scheming in secret. On the day, any number of unforeseen circumstances could derail the intricate plot. The Walk recreates the feat in vertiginous detail.

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  • INTERNATIONAL

    Australia's fatal attraction to America

    • Tony Kevin
    • 11 October 2015
    6 Comments

    'Other countries in response to one mass shooting have been able to craft laws that almost eliminate mass shootings,' said Barack Obama earlier this month. 'Friends of ours, allies of ours, Great Britain, Australia — countries like ours.' Thankfully, America is not like Australia. Though many Australians feel a natural envy for our confident, successful cousin, many disturbing developments — Tea Party style politics, anti-immigrant nativism, know-nothing anti-science — have roots traceable to the US.

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  • ARTS AND CULTURE

    Devil worship on Boston's mean streets

    • Tim Kroenert
    • 07 October 2015
    2 Comments

    A Black Mass is a travesty of the Catholic Mass in worship of the devil. In this instance it is a metaphor for FBI agent Connolly's devotion to violent criminal Bulger, due in part to the social benefit he attains through his association with this powerful criminal, but running all the way back to a formative childhood encounter that is hinted at but not articulated in detail. Of the flatly villainous Bulger and the morally complex, wilfully compromised Connolly, the latter is the more palpably evil.

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  • ARTS AND CULTURE

    Rock star Streep and the uphill battle for Hollywood diversity

    • Tim Kroenert
    • 26 August 2015

    There's a running gag that in Hollywood there are few roles for women over a certain age, unless you are Meryl Streep. Of course it isn't really a joke, if you consider the consistently dire statistics regarding gender, age and race diversity in mainstream American films. Whatever you make of this deplorable inequality, there can be little doubt that Streep is an actor singularly dedicated to her craft, who works hard and throws herself with aplomb into the wide range of roles that come her way.

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  • ARTS AND CULTURE

    Skank-shaming Amy Schumer

    • Tim Kroenert
    • 29 July 2015
    4 Comments

    It's not hard to see why Amy Schumer was offended. Last week, Melbourne KIIS FM breakfast co-host Matt Tilley earned the ire of the proudly feminist comedian by suggesting one of her characters is a 'skank'. The sleight comes not just from Tilley apparently missing the fact that the story is semi-autobiographical. It sits far too easily in a tradition of harmful double standards regarding male and female sexuality.

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  • ARTS AND CULTURE

    Carefully burning Scientology

    • Tim Kroenert
    • 08 July 2015
    12 Comments

    If you're going to apply a blowtorch to an institution as wealthy and litigious as the Church of Scientology, you might best be advised to first apply a magnifying glass. Alex Gibney details the dark side of the movement: its dubious tax-exempt status; allegations of psychological and physical abuse of current members and harassment of former members. But he is equally interested in unpacking the nature of belief in Scientology: what draws people to it, and also what drives them away.

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  • ARTS AND CULTURE

    Stage legend's age rage

    • Tim Kroenert
    • 13 May 2015

    Famous actor Maria Enders finds herself cast in a new production of the play that kick-started her career. The play explores the tempestuous relationship between a businesswoman, Helena, and her much younger assistant, Sigrid. Back then, Maria played Sigrid. Now, she is to portray the older woman. Through her engagement with the material she probes her own ambivalence and insecurities about getting older.

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  • ARTS AND CULTURE

    Curious names subvert Cuba's politics of exclusion

    • Catherine Marshall
    • 07 May 2015
    1 Comment

    Roger Blanco Morciego is a young Cuban man with an English name, who grew up in a communist country ostracised from the rest of the world. 'In my neighbourhood we have seven Rogers. I think we were named after Roger Moore'. I have my own theory about this: people who are shut out will do anything to explore and understand the realm they've been excluded from. 

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  • ARTS AND CULTURE

    Kids fight exploitation in one of the world's most dangerous cities

    • Tim Kroenert
    • 29 April 2015

    The boys possess the steel and resourcefulness that must come from living on the streets of one of the world's most dangerous cities, along with the fragility and artlessness that are hallmarks of youth. It is heartbreaking to witness the ease with which they are exploited or degraded, and inspiring to see the fervour and ingenuity with which they are able to fight back.

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  • AUSTRALIA

    Faceless celebrity maintains ownership of her body

    • Megan Graham
    • 09 April 2015
    8 Comments

    Generally it's regarded as incomprehensible if, as a woman, you don't bolster and promote your looks to enhance your success. What happens when a female artist releases music without selling her beauty as part of the package? Thanks to Australian singer-songwriter and director Sia, we are learning that beauty need not be what makes or breaks your success.

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  • ARTS AND CULTURE

    Birdman or (The Totally Expected Sin of Hollywood Narcissism)

    • Michael McVeigh
    • 28 February 2015

    With Birdman or (The Unexpected Virtue of Ignorance) winning the Best Picture Oscar, a lot of people are pointing out the fact that three of the last four Best Picture winners are about movies, or the act of making them. That's not including 2011 winner The King's Speech, which was about the art of performance. That Hollywood loves itself a little too much is an obvious, and probably valid, conclusion to draw. But the deeper question to ask is why films like Birdman resonate so strongly. Read more

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