Search Results: film review

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  • ARTS AND CULTURE

    Grace and quiet rage in David Gulpilil's country

    • Tim Kroenert
    • 24 September 2015

    Gulpilil measures the distance to Ramininging from Darwin by the number of river crossings, and defines its rough edges by the points at which traditional values clash with the imposed or inherited Western trappings. Through him we meet a man who found Christianity while in prison, and who now on Easter Sunday leads an epic reenactment of the Passion through the town's dirt streets. In the degradation of his trial and execution, says Gulpilil, Jesus is neither God nor leader; 'He is black. He is one of us.'

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  • Maintaining the humanity of the public square

    • Greg O'Kelly
    • 01 July 2015
    3 Comments

    The phrase 'the public square' is peppered throughout Frank Brennan's work. The 1988 film Cinema Paradiso depicts the public square in a Sicilian village over 30 or so years, and its slow and subtle change from a place where human beings gather to laugh, play and discuss. Billboards and garish signs appear and it becomes a car park bereft of its humanity.

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  • ARTS AND CULTURE

    The enigma of the island

    • Ian C Smith
    • 23 June 2015
    3 Comments

    Our salt-blasted car rental veteran guzzled fuel, gearbox a disaster gasping past wallaby roadkill leaving the dramatic volcanic mountainscape for glimpses of carved bays, Crusoe beaches contrasting with weathered scrub, still farms.

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  • ARTS AND CULTURE

    Stage legend's age rage

    • Tim Kroenert
    • 14 May 2015

    Famous actor Maria Enders finds herself cast in a new production of the play that kick-started her career. The play explores the tempestuous relationship between a businesswoman, Helena, and her much younger assistant, Sigrid. Back then, Maria played Sigrid. Now, she is to portray the older woman. Through her engagement with the material she probes her own ambivalence and insecurities about getting older.

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  • ARTS AND CULTURE

    Women exploited on the road to human extinction

    • Tim Kroenert
    • 07 May 2015
    1 Comment

    Nathan has been able to refine Ava's software thanks to his unmitigated access to internet users' search data, as well as to their telecommunications. Caleb, too, wonders if his attraction to Ava is due to her design being based on a review of his internet pornography profile. It is no coincidence that Ava replicates an idealised version of the female form. Nathan's and even Caleb's relationship to her is fundamentally exploitative and voyeuristic.

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  • AUSTRALIA

    Stepping on to mandatory data retention's slippery slope

    • Fatima Measham
    • 25 March 2015
    6 Comments

    Mandatory data retention was a bad idea when it was originally floated during a Gillard Government inquiry. It is a worse idea now, and is set to become law for political reasons, not because it has been properly scrutinised. There are important questions that we should be asking, and we should not let ourselves be put off from doing this if we don’t know the difference between data and metadata (there is none).

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  • ARTS AND CULTURE

    Doomed actor's devastating ego trip

    • Tim Kroenert
    • 22 January 2015

    Riggan's ego is immense. The action takes place backstage during the days leading up to the premier of his latest vanity project, and onstage during a series of previews. Riggan is out of his depth, prone to humiliating blunders, including one that results in a near-naked dash through the crowds of Times Square. But his resolve to affirm his greatness in the eyes of a media and public that has dismissed him is maniacal.

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  • ARTS AND CULTURE

    Ten films that will get you talking

    • Tim Kroenert
    • 18 December 2014
    8 Comments

    It's December, and film writers everywhere are putting together their lists of the best films of 2014. But best-of lists are so subjective, so here's our take: ten films from 2014 that are guaranteed to get you thinking, and talking!

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  • ARTS AND CULTURE

    Films a blind man loves

    • Tim Kroenert
    • 04 December 2014
    1 Comment

    Try watching slasher parody Scream 4 with your eyes closed and see how much sense it makes. On the other hand, Martin Scorsese's Goodfellas and Kevin Smith's Clerks, with stories driven by strong characters and dialogue, offer up cinematic pleasures even a blind person can appreciate. Welcome to the world of America's Blind Film Critic, Tommy Edison.

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  • ARTS AND CULTURE

    Dark descent to ethics-free journalism

    • Tim Kroenert
    • 27 November 2014

    The 'intervention dilemma' is a perennial consideration for journalists and those who pay them and ought to be dictated by robust personal and institutional ethics. Louis Bloom is an example of what happens when ethics are stripped away and replaced with the bottom line. He raises himself from petty thief to the rank of nightcrawler — a cameraman who specialises in shooting the aftermath of accidents and crimes, and selling the footage to news networks.

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  • ARTS AND CULTURE

    A faithful woman visits me weekly

    • Ian C. Smith
    • 18 November 2014
    1 Comment

    Supplying food, whisky, news, loving sex. All this on a pine-scented mountain. I trim my stark white beard, shampoo, sweep, spray, squeegee and swipe. The hour you drive up our steep hill I open our front gates like a greeting.

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  • ARTS AND CULTURE

    Gone Girl promotes conversations about misogyny

    • Tim Kroenert
    • 09 October 2014
    5 Comments

    'If we strapped a bunch of Men's Rights Advocates to beds and downloaded their nightmares, I don't think we'd come up with stuff half as ridiculous as this plot,' wrote one blogger. Dogged by charges of misogyny since the release of her novel (and now film) Gone Girl, Gillian Flynn nonetheless maintains her right to create interesting, complicated female villains.

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