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It is unfortunate that World Communications Day is celebrated in the middle of an election campaign. We have seen the worst of partisan media coverage, of shouting as a preferred form of communication, of endless experts promising Armageddon if the result is not to their taste. And yet we have also seen the best of media informing us of the issues that concern people in different parts of Australia. Without such public communication, for all its defects and excesses, our society would be the poorer.
To close the year for Eureka Street, the editorial team wanted to nominate who we considered to be the Eureka Street ‘person of the year’ based on who we think somehow embody Eureka Street values.
My name is Farhad Bandesh. For seven-and-a-half years I was not called by my name. The Australian Federal Government took it away and changed my identity to a number. I was COA 060. I am Kurdish and we are a persecuted people.
In all the rush, the crib’s still housed / from last year in the cupboard . . . I wonder / if in all our frantic preparations – beneath the toys, the tinsel, fairy lights / and all the other trinkets, decorations – there’s still within our hearts / and in our whole wide world, in all we plan and do, / even just a minute’s time for you?
Emotional intelligence is one of those terms that is hard to define. They take their meaning from people whom we think certainly possess it and those whom we think certainly lack it. In the aftermath of the Victorian election we might also ask whether it matters if political leaders have emotional intelligence or not. Will it help them win elections or contribute to their defeat?
Paulie had a childlike delight in taking the mickey out of everything and everyone and acting outrageously. The stories of the Painters and Dockers’ engagement with their equally wild audiences and the public, full of hilarious encounters, display the same innocence and the same sublimated rage. If it was his brother Tony’s death that set him on his madcap journey, Paulie has shaped his own life as a monument for Tony more durable than marble.
Mum had unshakeable graciousness, although her hand executing cigarette / ballet pirouettes put the fear of foreign emulsification in brothy ox tongue soups / Strong foundations based on love, respect and loyalty with times of grieving — an empath for a neighbour or relative
Who wields the most power in the world? If one follows the money trail, it becomes clear that Western societies have become ruled by a new type of aristocracy: a management aristocracy.
When Kenneth Hugh Gittins is in the room and crash-tackling the conversation, well, eat your heart out Salvador Dali and Walter Mitty. Conversations turn surreal, fact-checking expeditions run aground. A charming teller of truths and tales (some tallish and some Himalayan), this rustic raconteur has perplexed many an audience or congregation and delighted many a grandkid and great-grandkid with his reminiscences.
Change of season is upon us, / hot unseasonal days have drained us, / human sponges squeezed by the hands / of humidity, but the nights are becomingcool, a relief for bodies and minds in need / of withdrawal and replenishment of deep sleep, but in all of this there is some wakefulness, and there are some choristers returned, in these dogwatch hours.
We Helveticas are everywhere / down subways across shopping centres / hey heyyying on dating apps / s(t)olid pillars / tempting you into our cult / be like us we can give you / unencumbered lines / soft smooth curves / respectability & ineffability
Reverend Tim Costello's informal status as a nagging conscience to many Australian governments, including the Howard government in which his brother Peter served as federal treasurer, was formally acknowledged when the National Trust of Australia chose him as a ‘National Living Treasure’. Barry Gittins speaks to Tim Costello about the nature of power, and its place and exercise in public life.