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Another biblical motif or metaphor may prove more fruitful in the long run: the apocalypse. No, not the end of the world, however appropriate this may feel. It’s the apocalypse but not as we know it.
The opacity of the Australian public service, and its disposition to secrecy, has left journalists in a bind. Leaks constitute the oxygen of the secret state, but publishing that material remains a dangerous affair.
COVID-19 brings many tests. Amid the health, economic and financial crises brought about by the pandemic, our greatest test is to conduct ourselves as a robust democracy and to demonstrate that we are a fair society. Neither test will be easy to pass, but we must aim to emerge at the other end as a better society.
Since late 2019, both President Xi Jinping and Prime Minister Scott Morrison have come under fire for their shortcomings in times of national crisis. China as a hotspot of COVID-19 and Australia with the quartet of severe climate change, a lengthy drought, an horrific fire season and the inevitability of the coronavirus crashing onto our shores.
Most restaurants don’t grow all their own food. Of course, they can and may grow some produce, but their expertise is on the preparation, cooking and plating of the dish. They look to farmers to supply the raw ingredients. This is a pretty good analogy for the role of the national newswire, Australian Associated Press (AAP), which will be closing mid 2020.
The Australian Federal Police raid on the 5th of June last year shook the Fourth Estate and, according to managing director David Anderson, ‘was seen for exactly what it was: an attempt to intimidate journalists for doing their jobs.’ It saw an unprecedented closing of ranks between journalists across the political spectrum, pursuing a campaign that came to be known as The Right to Know. Convincing the courts about this principle would prove to be something else.
While we can only speculate on what it means for the future of funding beyond the current budget, alarm bells are ringing for many of us who recognise the symbolic power of rendering the arts invisible at a federal level. A strong, vibrant arts sector is essential to a thriving democracy.
In Malta, shudders are being felt through the media and political establishment. Prime Minister Joseph Muscat has announced his intention to resign. Other officials are doing the same. Malta's equivalent of the accusing ghost of Banquo is that of the slain journalist Daphne Caruana Galizia, killed by a car bomb in October 2017.
I have the luxury of laughing off jokes that make light of the power dynamic between mainland China and Taiwan and Hong Kong, but for many of my friends, it's not such a light matter. I struggle to put myself in their shoes, and I feel a sense of hopelessness that I'm not able to do more.
It sounds like a police state effort. An author makes an attempt to assist a pseudonymously named prisoner publish a memoir. The effort is scotched by the authorities. The police spring into action raiding the cell of that prisoner, and that of his brother. All take place without the knowledge of the Australia media or public.
On their own, Eltahawy's words are confronting, yet within the context of her argument, the questions were about flipping the balance of power on its head for a moment. It's not a call to action, but rather a thought exercise. What if men were as scared of violence from women, as women are taught to be of men?
Assange's latest court appearance coincided with the launch of the Right to Know campaign, backed by the major press organisations in Australia as well as the Media, Entertainment and Arts Alliance. To its immense credit, the MEAA has consistently defended him. But many prominent Australian journalists have not.