Search Results: women in film

There are more than 200 results, only the first 200 are displayed here.

  • Maintaining the humanity of the public square

    • Greg O'Kelly
    • 01 July 2015
    3 Comments

    The phrase 'the public square' is peppered throughout Frank Brennan's work. The 1988 film Cinema Paradiso depicts the public square in a Sicilian village over 30 or so years, and its slow and subtle change from a place where human beings gather to laugh, play and discuss. Billboards and garish signs appear and it becomes a car park bereft of its humanity.

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  • ARTS AND CULTURE

    Dubious revolutionary Russell Brand takes it to the banks

    • Tim Kroenert
    • 18 June 2015
    3 Comments

    Few would deny the comedian and self-styled revolutionary has fire in his belly. He wonders why, in the wake of recent financial crises, more bankers have not gone to prison. These are salient questions, and Brand doesn't baulk. But there is a touch of Bono about Brand: wealthy and egotistical, you have to wonder how much of his invective against 'the one per cent' is a case of the pot calling the kettle black.

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  • Frank Brennan's 'fifth gospel'

    • William Morris
    • 15 June 2015
    7 Comments

    'Frank points out that the Church cannot credibly proclaim a message of social justice in a pluralist democracy when its own processes fall short of ordinary community standards of justice. It needs to turn its teaching about human rights and human dignity back on itself, the Church, insisting on due process within the life of the Church community.' Bishop William Morris helps launch Frank Brennan's new book Amplifying That Still, Small Voice.

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  • ARTS AND CULTURE

    Child assassin's slow escape from cult corruption

    • Tim Kroenert
    • 04 June 2015

    The children, their mothers and overseer inhabit a world all their own, morally as well as geographically. They know little but the rustic textures of life inside the compound; where every Friday they paint their faces like jungle animals and sing karaoke as a reward for a good week's killing. Even during their bloody errands, the urban landscape evokes a Martian dereliction. Only Alexander has started to smell danger.

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  • ARTS AND CULTURE

    Stage legend's age rage

    • Tim Kroenert
    • 14 May 2015

    Famous actor Maria Enders finds herself cast in a new production of the play that kick-started her career. The play explores the tempestuous relationship between a businesswoman, Helena, and her much younger assistant, Sigrid. Back then, Maria played Sigrid. Now, she is to portray the older woman. Through her engagement with the material she probes her own ambivalence and insecurities about getting older.

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  • ARTS AND CULTURE

    Women exploited on the road to human extinction

    • Tim Kroenert
    • 07 May 2015
    1 Comment

    Nathan has been able to refine Ava's software thanks to his unmitigated access to internet users' search data, as well as to their telecommunications. Caleb, too, wonders if his attraction to Ava is due to her design being based on a review of his internet pornography profile. It is no coincidence that Ava replicates an idealised version of the female form. Nathan's and even Caleb's relationship to her is fundamentally exploitative and voyeuristic.

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  • ARTS AND CULTURE

    Vera Brittain's elegant anti-war ode

    • Tim Kroenert
    • 23 April 2015
    5 Comments

    Vera, a latecomer to the gathering, interjects. She has worked as a nurse, has had her hands warmed by the blood of the maimed and the soon-to-be-dead of both sides of the conflict. She has lost loved ones, too — a brother, a friend, a fiancé — and the grief of their loss will be with her always. But how can violent conflict ever be truly redeemed through the trauma of more violent conflict? The German soldiers who died in the war left behind loved ones, too.

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  • ARTS AND CULTURE

    Abuse victim's post traumatic horror

    • Tim Kroenert
    • 16 April 2015

    The manner in which Hugh drugs and binds Jay has strong overtones of 'date rape'. More than this, though, there is inherent violence in his having had sex with her at all, knowing that her consent hinged on her ignorance of the real consequences. Now, to be fair, there are men in the film who suffer, too. But the objectification of women by the male gaze and the predatory dynamic this entails is too pervasive to ignore.

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  • AUSTRALIA

    Funding cut signals the destruction of Aboriginal life in Australia

    • Michele Madigan
    • 07 April 2015
    30 Comments

    WA accepted the Federal Government's one off $90 million grant to transfer funding for remote Aboriginal communities, many of which will be closed down. Meanwhile in South Australia, the State Government is challenging the Federal Government to uphold the responsibilities it has held since 1973. But it is cutting the communities' funding by 90 per cent.

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  • INTERNATIONAL

    We are all bigots

    • Justin Glyn
    • 19 January 2015
    18 Comments

    According to large sections of the media, 'we' are all Charlie now. While it is absolutely right that we stand with the victims and their families in grief and outrage at the terrible acts that took place in Paris earlier this month, predictably we have been told that we should, as a corollary, also defend people’s rights to say what they like, no matter how hurtful it may be. 

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  • RELIGION

    A messy birth and a vulnerable baby

    • Richard Leonard
    • 18 December 2014
    21 Comments

    At a Christmas party, I met the charge nurse of the maternity ward. Pleading that because I was a celibate I would never be at a birth, I enquired if I might be allowed to come and see'. … Mary and I met six hours into her labor, which was an unusual circumstance within which to meet your birthing partner.' She had very little small talk, maybe because she had no breath at all.

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  • AUSTRALIA

    Good parents don't make gender stereotypical choices

    • Michael Mullins
    • 08 December 2014
    16 Comments

    Among this year's silly season news stories is the trivialising treatment of Greens Senator Larissa Waters' deadly serious call for parents to avoid buying Christmas toys that gender stereotype their children. 'Blue for boys, pink for girls' is a dogma that can do real harm to young people, and parents should focus instead on what makes their children genuinely happy. There is no room for judgment and coercion that seeks to make them someone they are not.

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