Search Results: Tim Kroenert

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  • ARTS AND CULTURE

    Feminist parable's message for Eddie McGuire and co.

    • Tim Kroenert
    • 22 June 2016
    7 Comments

    That McGuire, eventually, and presumably under pressure from the club's board and a major sponsor, offered what seemed to be a sincere apology, barely diminishes the fact that the comments were made in the first place, compensates for the lack of real repercussions, or excuses the time and effort that was required to get the incident on the agenda at all. Like a good parable, Mustang illuminates the ethical deficit of such a scenario, where women can so readily be bulldozed by powerful male voices.

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  • ARTS AND CULTURE

    Miles Davis drama diminishes domestic abuse

    • Tim Kroenert
    • 16 June 2016

    In one scene, as Taylor and Davis argue, the dialogue comes down and the score comes up; her voice is literally taken from her. When Davis then physically assaults her, the message is clear: his music and his violence are notches on the same spectrum. This conflation of creativity with destructiveness is a typical error of mainstream biopics about great artists who were not nice people. Yet applied in the context of spousal abuse it is not only specious but ethically dubious, even dangerous.

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  • ARTS AND CULTURE

    Angst and insecurity in public school battle of wills

    • Tim Kroenert
    • 08 June 2016

    Vice-principal Rickard claims the credit for having lifting the status of the once struggling public school, and sees in the smart but troubled new student Mark both the potential to do well and a danger to his own legacy. For his own part Mark, who was previously kicked out of the private school to which he had earned a scholarship, sees in Rickard a misguided do-gooder and, later, something a little more dangerous: an ambitious man whose ego is the flipside of insecurity.

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  • ARTS AND CULTURE

    Foster kid finds healing in the New Zealand wilderness

    • Tim Kroenert
    • 01 June 2016
    2 Comments

    It's the last chance for Ricky, who has been through a lot of other foster homes before winding up at Bella and Hector's. We don't know the detail of these experiences, but it is telling that the natural nurturer Bella's smallest gestures - cooking breakfast for Ricky, or putting a hot water bottle in his bed at night - are kindnesses like none he has ever known. It contrasts with the child welfare worker''s mantra of 'No child left behind', which on her lips becomes menacing, or at best a bureaucratic inanity.

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  • ARTS AND CULTURE

    Not-so-nice guys have sexist cake and eat it too

    • Tim Kroenert
    • 25 May 2016

    As is the time-honoured tradition of Hollywood PIs, Holland has long bound the wounds of some unresolved grief in alcohol and cynicism. Notwithstanding individual tastes that are by no means aligned with gender, this is the kind of movie that can tend to appeal to puerile male interests while diminishing respect for women. In this regard Shane Black, a mainstream filmmaker who is more self-aware than most, tries to have his cake and eat it too, by both drawing and subverting the objectifying male gaze.

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  • ARTS AND CULTURE

    Inside Nauru nightmare

    • Tim Kroenert
    • 18 May 2016
    4 Comments

    With PNG's Supreme Court finding last month that the detention of asylum seekers on Manus Island was unconstitutional, the shamefulness of Australia's border protection policies was once again laid bare. Advocates will be familiar with the facts and arguments that Chasing Asylum articulates. What sets it apart is its wealth of hidden camera footage caught within the grim confines of the centre on Nauru, and Orner's conversations with detainees and social workers who bore witness to the dire daily reality there.

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  • ARTS AND CULTURE

    Neglecting and reconnecting with elderly parents

    • Tim Kroenert
    • 11 May 2016
    2 Comments

    The film explores the dynamic between men and their ageing parents, as Frank, trying to make up for neglecting his relationship with his own dead mother, clashes with Sarah's neglectful adult son. Essential to this sifting of family and belonging as central to the identity of suburban males, is a rumination on houses as homes versus property. As a real estate agent, Frank is repeatedly chastised by a young father who feels increasingly priced out of the market.

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  • ARTS AND CULTURE

    Changed by faith in a miraculous child

    • Tim Kroenert
    • 05 May 2016

    Despite its epic scope it is also deeply intimate and, dare I say, spiritual. Roy regards his son with a mixture of stern, protective love, and helpless wonder. They are joined in their quest by Roy's childhood friend Lucas, a state trooper converted to Alton's cause after literally seeing the light in his eyes. Also by Alton's mother, Sarah, who of all the cohort has the most direct experience of the 'sense of awe' that ultimately unfolds from the 'mystery' of Alton's story.

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  • ARTS AND CULTURE

    Sad story of a tragic opera wannabe

    • Tim Kroenert
    • 20 April 2016
    3 Comments

    Socialite and amateur operatic soprano Marguerite cuts an intriguing and tragic figure, devoted to her craft but oblivious to her lack of talent. Yet the joy she gains from believing she is a great singer doesn't depend on the reality or otherwise of that belief. Is it right or wrong for those who care for her to allow her to continue in her delusion? The question echoes the concept of a life-lie, invoked by Henrik Ibsen to argue that human beings are sometimes better off living in at least partial ignorance of reality.

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  • ARTS AND CULTURE

    Singing and subverting White American history

    • Tim Kroenert
    • 13 April 2016
    1 Comment

    The show's implicit subversiveness runs deep. It is embodied in the fact that its cast consists of mostly Black and Latino performers portraying White characters, using a vernacular and musical styles popularly associated with these cultural groups. It thus stands as a riposte to the history of black/brownface and whitewashing in popular entertainment. Crucially, in a show about 'founding fathers', it is the story's women who not only provide its emotional core but are also the most fundamentally heroic.

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  • ARTS AND CULTURE

    Icelandic farmers like rams to the slaughter

    • Tim Kroenert
    • 06 April 2016

    When a remote valley in the north of Iceland is struck by an outbreak of scrapie - a fatal, degenerative disease that affects sheep - Gummi, Kiddi and their farmer neighbours must face the prospect of conducting a mass slaughter. This is very much a communal crisis, and a consideration of the socioeconomic hardships of traditional Icelandic sheep farmers in modern times. But it's also a teasing-out on the personal level of Gummi and Kiddi's emotional and practical responses to this turn of events.

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  • ARTS AND CULTURE

    Sherpa Spring challenges Western privilege on Everest

    • Tim Kroenert
    • 30 March 2016

    If Peedom was expecting to find signs of a growing sense of self-agency behind the docile facade of the legendary 'Smiling Sherpa', she couldn't have predicted a rawer or more tragic scenario against which it would play out. Predictably the turn of events does not sit will with the Western climbers and tour operators, who feel that the outlay of time and money, not to mention the 'bucket-list' imperative to conquer the peak, entitle them to proceed. Polite facades peel away to reveal ugly attitudes.

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