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While there is value in pointing out incorrect or inappropriate behaviour, we are also at a point where we are perhaps a little too quick to declare someone or something 'cancelled'. Many problematic depictions have occurred over the years, and we do ourselves no favours by ignoring them or pretending they did not exist.
There is still a long way to go before Australian society is free of mental health stigmas and adequate services are funded and accessible. This is especially important for Australians who are at the intersections of multiple oppressions. But there has been progress, as a number of recent initiatives illustrate.
As musician James Blake pointed out regarding Jameela Jamil's contributions to his most recent album, the muse is an objectified woman who is seen to have no direct impact on the creation of the work itself and no creative life of her own, but is merely the source of the male artist's inspiration and a vehicle to project his own desires onto.
A recent report on the lack of culturally and linguistically diverse (CALD) representation in arts leadership recognises the limitations of the label. In an era marked by media bubbles, it is more vital than ever that we use categories such as CALD to build bridges, while not losing sight of our differences and varying levels of disadvantage.
Robert Harris' The Gang of One ranges through Harris' five published books and a number of uncollected poems. Early work grows from his occasionally lonely, knockabout life and reveals not only a talent for catching the essence of fleeting memories and perceptions but also a mordant touch that gives edge to memory.
The fight for equality is an external, social, economic and political battlefield. Sometimes the fight is in our own heads, and we can internalise some of that misogyny. In between tearing each other down, putting dinner on and exercising some self-loathing while we're at it, how can one find the time to identify all of the ways a person can internalise the patriarchy?
The NAIDOC theme returns to the other side of the relationship between First and later Australians — that of unity within a single nation — and invites cooperation in a project that matters to all Australians. At stake is not simply the fulfilment of Indigenous hopes but shared pride in an Australian identity.
Indonesian democracy has proven resilient to challenge and made inroads into combatting problems that have beset the country for decades. But a crossroads approaches. A failure to manage religious radicalism and intolerance, corruption, and other social tensions may imperil or destabilise this democratic epoch.
Without audio description, 357,000 Australians are excluded from a world of social interactions that are continuously evolving around a plethora of drama, comedy and romance; from a pop culture language that stems from fictional characters glorified in sweeping epics like Games of Thrones and a multitude of other popular series.
Even when established historical queer figures get their own biopics, their queer relationships are often straightwashed, and cisgender straight people are put at the centre of the narrative. While queer fictional characters can make up some of this gap, historical narratives are important too.
Researchers have been documenting the rise of 'eco-anxiety' or 'eco-angst' for some time, and these feelings of despair and powerlessness are common. But we need to become the heroes of this dystopic film plot. Somehow, in the face of all our anxiety and despair, we need to locate our capacity for hope and our courage to take action.
It's liberating to buy a ticket for one. To not have to coordinate times with someone, but do things by my own schedule. To go see the niche movie none of my friends wants to see, or the art exhibition I forgot was in town until its last day. But alone time isn't just something I do because I like it. I need it.