Search Results: music

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  • AUSTRALIA

    How class shapes art in 21st century Australia

    • Ellena Savage
    • 08 December 2016
    4 Comments

    To be in the running for a scholarship, a student must have had their abilities or potential acknowledged and rewarded within an ideological education system. Where the money comes from - and whom it is given to - informs what kinds of artwork thrives. As Didier Eribon says, 'art, culture and education are part of the mechanisms of differentiation between social classes'. And the institutional frameworks underpinning the production of artwork can lead to pernicious political outcomes.

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  • MEDIA

    Religious media cuts undermine harmony

    • Kasy Chambers
    • 04 December 2016
    21 Comments

    There has been a slow trickle of news outlets in Australia winding back their coverage of religion over recent years. Some might argue that this is a good thing in a secular democracy, and that discussion of religion creates division. This however flies in the face of the overwhelming good that religious belief, and religious-based organisations, do in this country. Not to mention the fact that religion and ethics are a major part of the narrative of society, of how we live together and how we form a community.

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  • AUSTRALIA

    The unique labour conditions of millennials

    • Sonia Nair
    • 27 November 2016
    11 Comments

    Belonging to a generation where I was constantly told I could do anything I set my mind to, I was carted off to every class imaginable as a young child - art class, violin class, music theory class, English literature tutoring and so forth. But the advent of unparalleled choices that was constantly peddled to me did not coincide with an increase in the spaces that are available for young people to excel, or much less be employed, in the fields of their choice.

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  • ARTS AND CULTURE

    A perfect stranger's perfect gift

    • Maureen O'Brien
    • 21 November 2016
    5 Comments

    Recently I went with a group of friends to see the musical Dusty. Afterwards, walking with one of my friends, I spoke about how special it had turned out for me seeing this musical on the day after my 54th wedding anniversary. Dusty Springfield's songs were ones my husband and I would have known well at the time. Just as I was reflecting on how some events have more significance than what appears on the surface, a young man on my right turned to me and handed me a large red flower.

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  • ARTS AND CULTURE

    Spring: Thirty short poems

    • Carol O'Connor
    • 20 November 2016
    6 Comments

    Counting angels dancing on a pinhead? How about, making count the stranger who stands right in front of me ... Love lies hidden. Quick! Look under the moss, hear the stone sing ... Mother Earth is groaning ... Dislocation. Disconnection. Displacement. Only you, only you, only you can take us home.

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  • ARTS AND CULTURE

    Coffee and birdsong

    • Mary Manning
    • 08 November 2016
    17 Comments

    'Pull the levers, scoop the coffee, flatten it, steam fragrant liquid into white cups. My lever-pulling right arm has huge muscles from my coffee ballet. Around me: the buzz of conversations about people's plans for their day. No one knows I am lonely.' Short story by former Eureka Street editorial assistant Mary Manning, who died on Tuesday 8 November 2016.

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  • INTERNATIONAL

    An ode to speechless Bob Dylan

    • Philip Harvey
    • 03 November 2016
    10 Comments

    Initial silence from Dylan after the announcement of his Nobel Prize led one of the Scandinavian officials to complain he was being 'impolite and arrogant'. This prompted even more vitriolic opinion online on all sides, from fans, litterateurs, Dylanologists, and other armchair grenadiers. Just as things were getting completely tangled up in blue Dylan himself broke the silence to explain that news of the award had left him speechless. We shouldn't be surprised. Speechless is a normal state for a poet.

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  • ARTS AND CULTURE

    Poem for Daniel Joseph Harrington

    • Brian Doyle
    • 23 October 2016
    5 Comments

    This is what I saw at a funeral, on a bright brilliant crystal spring day which the late lamented would most surely have called a great day for golf: His grandson, age smallish, dandling the deceased's favourite club on the lawn outside the church, as all the mourners stood around chatting. The boy whirled it like a baton, and balanced it on a finger, and finally leaned insouciantly on the club, exactly as his grandfather had so very many times before. It seemed very much to be a prayer, somehow.

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  • AUSTRALIA

    Respect and relationships in forming identity

    • Andrew Hamilton
    • 18 October 2016
    7 Comments

    Promos suggest you can choose your identity. Join a tour to Kurdistan and you can become an adventurer. Buy an Aussie flag, sing loudly about boundless plains, and you can become a dinky di Aussie. Identity, however, is more subtle. It is formed by relationships, to the human race, to body, to place of birth, to language, to the significant adults of childhood, to possessions, to education and work, to hobbies, religions and political parties and to all the people met through these relationships.

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  • ARTS AND CULTURE

    A cassowary in Tinbuctoo

    • Chris Wallace-Crabbe
    • 16 October 2016
    1 Comment

    When I was a kid, I certainly knew, that a cassowary in Tinbuctoo, was able to eat a missionary, cassock, bands and hymn-book, too. Because it rhymed, it had to be true. But what on earth were those bands doing? Nothing musical, I'll be bound, And a cassock, what sort of jigger was that?

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  • AUSTRALIA

    Identity politics and the market

    • Andrew Hamilton
    • 04 October 2016
    5 Comments

    In political commentary liberal politics and identity politics are often presented as polar opposites. For supporters of liberal politics the relationship between the two is one between virtue and vice, rationality and emotion, the wise against the mob. I believe that the relationship is more complex, that identity politics shares the same stunted assumptions about personal and national identity as liberal politics, sees the self-interest of the latter, and wants to despoil it.

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  • MEDIA

    The language of popular music doesn't have to be English

    • Susie Garrard
    • 28 September 2016
    2 Comments

    Almost all territories have their own popular artists, writing and performing in their native languages. However, many of these musicians seem unable to break into the wider market. In terms of marketed music, there is no doubt that English speaking artists hold sway. Yet some artists, such as Sydney Aboriginal band Dispossessed, who perform in both English and in language, and Cardiff native Gwenno, whose debut solo album is sung entirely in Welsh and Cornish, are bucking the trend.

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