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Are we clever enough in Australia to reduce the inequity in our schooling in order to help our moderate voters develop a strong narrative of sensible sharing to shape our future? Or, will the inequities in our schools contribute to ever-deepening divisions?
If that is the world of politics then the cooperative energy and the graciousness seen in the Phelps cavalcade and the Liberal candidate are superfluous to requirements. As with refugees despatched to detention, the light and intelligence newly elected MPs bring to Australia will quickly fade from their eyes.
In light of the evidence, a national energy policy prioritising renewables should be uncontroversial. But is seems ideology is impermeable to evidence. Instead, we have the government continuing to try to pressure AGL into keeping the Liddell coal-fired power plant open despite clear-cut economic and environmental reasons for its closure.
As a result of existing funding regimes the value of human beings and of human creativity comes to be identified with their social function. People are valued for their economic output, and artistic works for the size of their audience or their critical reception. No space is left for recognising any inherent value that cannot be measured.
Despite contemporary society's valorisation of the entrepreneurial self, its reality is disempowerment. According to Peter Bieri, 'powerless is the absence of ... the power to be able to fulfill a desire'. What name do we put to a desire so strong it compels one to leave the comforts of home for the untried fields of a new country?
If human beings are diminished, they usually respond badly. When politicians are not engaged with shaping a better society they quarrel about slogans that are detached from larger goals, or about goals that they have abandoned in pursuit of economic purity. Then they turn on one another.
An actor is holding a skull in his hand. Life has nothing to say. Someone is waiting to disembark from a bus. The stage is holding its breath.
This remarkable policy of what Dr Eve Lester calls 'planned destitution' combines the most extreme instincts of neoliberal, nationalist and authoritarian thinking. Fundamentally, it derives from the Minister for Home Affairs' far reaching powers to determine the rights and entitlements of non-citizens such as people seeking asylum.
Hannah Gadsby's Nanette critiques comedy as an imperfect tool for processing and transcending trauma. Funny Cow, about a woman comedian in 1970s northern England, attempts something similar. Both say something about the intersection of comedy and trauma and what it reveals about how we relate to each other as human beings.
This sleight of hand from Albert sets a pattern, as the two go on to collude on an elaborate ruse, selling Edouard's designs for patriotic memorials that they never intend to build. Edouard, having plumbed the depths of opiate addiction, comes alive in the scam, a puckish schemer in a series of elaborate papier-mâché masks.
'I voted 'yes' in last year's ABS survey on same sex marriage. As a priest, I was prepared to explain why I was voting 'yes' during the campaign. I voted 'yes', in part because I thought that the outcome was inevitable. But also, I thought that full civil recognition of such relationships was an idea whose time had come.' — Frank Brennan, 2018 Castan Centre Human Rights Conference
On the face of it, Miquela is the same as any other ‘influencer’. But behind her normcore sunglasses, Miquela is dead. Orchestrating her content is Brud, an LA-based tech startup masterminded by Sara DeCou and Trevor McDefries. The more interesting question is not who Miquela is, but why she matters. Because Miquela holds up a mirror to how we construct our own online personas.