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The young in Myanmar have no personal memory of those events of 1988 and 2007. They are Generation Z, raised on the internet and with new ways of communicating. Their emotions overcome fear. Gen Z meets the deadly threat with humour and creative protest.
Hearing 11 of the Commission has looked at how Australia’s justice system treats people with disabilities. The intersection between disability and the criminal justice system is, unfortunately, not a happy one.
A serious discussion of freedom of speech must move beyond it as an individual right to see speech as communication. It will then consider all the relationships, personal and public, involved in communication. It presupposes that people share a common commitment to truth. Freedom of speech flows from that deeper human responsibility and freedom to seek truth.
Many refugees in Australia live in conditions that the rest of the population would find unacceptable. Most of the 192 refugees who were transferred to Australia under the Medevac legislation between February and December 2019 are currently held at hotels in Melbourne and Brisbane, known as ‘alternative places of detention’ (APOD), where they have had no access to the outdoors or fresh air for more than 12 months.
I was just fifteen years old when I was forced to run for my life. I dreamed of seeking a better education in Australia and becoming a pilot. Instead, I became a refugee in Indonesia, which does not recognize my existence and basic rights. I am even refused an education in this country. I have been in limbo for the last eight years.
Approaching the walled and caged building where the sentence was carried out, our young fellows have always been struck by something of a paradox proclaimed in two signs at the door: ‘Bureau of Corrections’ alongside ‘Lethal Injection Chamber’. They were quick to seize upon it. ‘How can you correct and rehabilitate a person after you have killed him?’ they would ask.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
The objections to the legislation focus correctly on the infringement of human rights. That phrase, however, is bloodless. It might suggest that rights form a list to be ticked off. Human rights are better conceived as a way of speaking about the conditions necessary for people to live decent human lives. The proper place from which to reflect on them is the actual lives of the people who are affected.
With COVID-19 having reached the prison population, the risks for prisoners are real. It is plain to see that prisons are vulnerable environments. Hundreds of people detained in close confined quarters and concerns around hygiene standards and access to masks are but some of the issues that make them fertile ground for the virus to grow in.
The Buhler arrest stirred a range of responses from across the political divide, many troubled. Legal representatives and human rights advocates were similarly disturbed by what they regarded as a lack of proportion and restraint in police action.
These statues form part of the rich texture of our daily lives, personal histories and cultural environment. They invite tolerant smiles rather than scowls. This article celebrates a selection of friendly Melbourne statues that have reflected places where they and I have stood. It invites you to make your own selection.
This year Refugee Week has been swallowed by the disruption caused by COVID-19, and by the fracturing of society in the United States. In a world where people naturally turn inwards, those who seek protection from persecution receive little public attention or sympathy. It becomes all the more important to reflect on the world of which refugees are part and why their lives matter to us.