Search Results: film

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  • ARTS AND CULTURE

    Fences and co. fight back against Oscars racial bias

    • Tim Kroenert
    • 07 February 2017
    1 Comment

    The Academy, it seems, has listened. After the #whiteoscars furore of past years, three of this year's Oscar nominees for Best Picture, Moonlight, Fences, and Hidden Figures, are films with predominantly (if not entirely) Black casts, and focused on the experiences of Black characters. Cast and crewmembers from all three have been nominated in various categories. To be fair, all three films would have demanded attention, with or without the recent controversy around awards season racial bias.

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  • ARTS AND CULTURE

    Race, addiction and sexuality by moonlight

    • Tim Kroenert
    • 31 January 2017
    2 Comments

    The chaos embedded in these characters' world is made clear through physical symbols - Chiron flees from bullies into an abandoned drug den, where he finds a used syringe and holds it up to the light like a talisman - and by the camera, which trails and circles the characters, or locks onto their faces, a conduit for their grief or desperation or lust or rage or joy. Bursts of actual violence or dramatic confrontation are rare. Where they occur it is their emotional content that is most confronting.

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  • INTERNATIONAL

    Manning mercy belies double standard on whistleblowers

    • Binoy Kampmark
    • 18 January 2017
    5 Comments

    Manning became the victim of an institutional drive to target whistleblowers, with the centrepiece of the prosecution focusing on computer crimes and the Espionage Act. Despite the eventual commutation of her 35 year sentence, the severity of that sentence demonstrated the gulf between the cosy, public relations air of an administration keen to project certain achievements and its stomping on those keen to disclose inappropriate and illegal conduct in the security and intelligence services.

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  • ARTS AND CULTURE

    Jackie, JFK and the making of American myths

    • Tim Kroenert
    • 17 January 2017
    2 Comments

    The perspective is Jackie's at all times; JFK himself rarely appears onscreen, and often is just a shoulder or a jaw glimpsed in profile at his wife's side. Portman's is a fine portrayal, displaying at all times an abiding grace and dignity, whether she is washing her husband's blood off her face, or facing down the questions of an astute journalist who may or may not be on her side. In the making of the Camelot myth, Jackie models the presidential funeral on Abraham Lincoln's, by this very process rejecting her brother-in-law Robert's doubts that the Kennedy presidency ultimately amounted to much at all.

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  • INTERNATIONAL

    Guilt edged smartphones an unhappy Christmas gift

    • Francine Crimmins
    • 18 December 2016
    22 Comments

    A few years ago I woke up on Christmas morning to see a small, neatly wrapped gift under the tree. The size and shape were familiar and I was excited to see my name on the gift tag. I'd wanted a new phone all year ... one with one of those touch screens everyone else seemed to have. A few months later I could no longer feel pride for my phone, instead just guilt. I'd sat down and watched a documentary about how phones just like mine were manufactured.

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  • ARTS AND CULTURE

    Ten movies that really got to us this year

    • Tim Kroenert
    • 13 December 2016
    3 Comments

    Amid the noise of Batman battling Superman, the Avengers turning against each other, and middle aged fanboys whingeing about the Ghostbusters franchise being revitalised with an all-female lead cast, 2016 has actually been a pretty solid year for movies, both in and outside of Hollywood. We haven't had time to see them all (we have a magazine to publish, after all) but nonetheless here is a list of our ten favourite films reviewed in Eureka Street this year.

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  • AUSTRALIA

    How class shapes art in 21st century Australia

    • Ellena Savage
    • 08 December 2016
    4 Comments

    To be in the running for a scholarship, a student must have had their abilities or potential acknowledged and rewarded within an ideological education system. Where the money comes from - and whom it is given to - informs what kinds of artwork thrives. As Didier Eribon says, 'art, culture and education are part of the mechanisms of differentiation between social classes'. And the institutional frameworks underpinning the production of artwork can lead to pernicious political outcomes.

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  • ARTS AND CULTURE

    Kids bear the bite of fractured family foibles

    • Tim Kroenert
    • 06 December 2016

    Families can be sites of great love and nourishment, and also of pain and trauma - often, all of these things, to varying degrees. The Family Fang focuses on the lives of adults bearing the mental and emotional ramifications of what can fairly be described as an abusive upbringing. It provides an illuminating counterpoint to Little Men, in which the close and sincere friendship of teenage boys comes under strain from their parents' 'grown-up' problems.

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  • AUSTRALIA

    The wild, normal diversity of the modern family

    • Ann Deslandes
    • 05 December 2016
    6 Comments

    I'm a 36 year old white Australian who grew up middle class in suburban Adelaide. I can count on one hand the number of households in the streets I lived on which were always-already made up of a mum-dad-kids scenario. The research on children's attachment, development and resilience shows kids need meaningful, culturally appropriate relationships with caring and competent adults in order to thrive as human beings. These adults can be pretty much anyone as long as they fit that bill.

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  • MEDIA

    Queering the airwaves for TV diversity

    • Adolfo Aranjuez
    • 28 November 2016
    17 Comments

    A recent Screen Australia report determined only 5 per cent of characters in Australian TV dramas could be identified as LGBTQI; less than half the proportion of real-world queer individuals in Australia. Media products are inherently normative, legitimising identities and lived realities through visibility. This is important, given the continuing debates surrounding marriage equality and the pervasiveness of homophobia, the result of which was seen in the suicide of 13-year-old Tyrone Unsworth.

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  • ARTS AND CULTURE

    Forestalling disgrace amid a welfare nightmare

    • Tim Kroenert
    • 22 November 2016
    5 Comments

    The welfare system Daniel experiences is a bureaucratic nightmare, populated by condescending Health Care Professionals, shadowy and calculating Decision Makers, managers who loom over their clients like stern parents, and caseworkers who stifle any human compassion for their desperate supplicants. He is grilled by a welfare officer about every aspect of his health except the only relevant one, his heart. Later, he runs afoul of the agency's 'online by default' processes. Daniel has never used a computer in his life.

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  • ENVIRONMENT

    Opposition growing to SA nuclear plan

    • Michele Madigan
    • 16 November 2016
    11 Comments

    The last 30 days have seen some big developments in the ongoing attempts of Premier Weatherill's plan to import high-level and intermediate level radioactive waste. On Sunday 6 November came the surprising decision of the Premier-initiated Citizens Jury. By the end of their six day deliberations, the 350 second round jurists showed a decided shift in opinion. Their 50 page report, presented to a somewhat discomfited Premier, had a strong two thirds majority against the dump.

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