Search Results: poetry

There are more than 200 results, only the first 200 are displayed here.

  • ARTS AND CULTURE

    Washed in Thomas Becket's blood

    • Earl Livings
    • 06 February 2017
    4 Comments

    Narrow, pointed arch entrance, low vaulted ceiling, stone and wood panelling - here four murderers walked over 800 years ago to rid their king of a meddlesome priest. Amidst singing and candlelight at Vespers, Thomas Becket stood at the Cathedral altar, knowing the armoured knights were coming: 'Here I am, not a traitor of the King, but a priest. Why do you seek me?' After their clamouring and brandishing of hatchets and axe, he knew his fate, bent his head in submission.

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  • ARTS AND CULTURE

    Mekong coconut workers

    • Brendan Ryan
    • 12 December 2016

    Watch the man in his stained shirt barefoot under the palms. Adrift from younger workers he manages a rhythm, a cigarette-dangling-from-the-lip focus. His lined face belies the strength of his forearms, thrusting each coconut onto a metal spike that is his altar. Seven days a week he splits coconuts with the precision required to not sever a wrist in a country with no health insurance. Upriver, in the seamy heat of the Mekong Delta, it could be the 19th century. I don't know where to look.

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  • AUSTRALIA

    How class shapes art in 21st century Australia

    • Ellena Savage
    • 09 December 2016
    4 Comments

    To be in the running for a scholarship, a student must have had their abilities or potential acknowledged and rewarded within an ideological education system. Where the money comes from - and whom it is given to - informs what kinds of artwork thrives. As Didier Eribon says, 'art, culture and education are part of the mechanisms of differentiation between social classes'. And the institutional frameworks underpinning the production of artwork can lead to pernicious political outcomes.

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  • ARTS AND CULTURE

    No vacancy at the inn (or anywhere else in Australia)

    • Marlene Marburg
    • 05 December 2016
    5 Comments

    Please god of the fit and strong, forbid we should become 'the un-lucky country'. Help us to conjure the nerve to say, There is no room for you here in Australia. No vacancies. All full up. You will be turned away while you are trying to give your family respite from poverty or war. We have no room for you. We are using our space for shops. And Christmas trees.

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  • ARTS AND CULTURE

    Spring: Thirty short poems

    • Carol O'Connor
    • 21 November 2016
    6 Comments

    Counting angels dancing on a pinhead? How about, making count the stranger who stands right in front of me ... Love lies hidden. Quick! Look under the moss, hear the stone sing ... Mother Earth is groaning ... Dislocation. Disconnection. Displacement. Only you, only you, only you can take us home.

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  • ARTS AND CULTURE

    Already died

    • John Falzon
    • 14 November 2016
    6 Comments

    I talked to no one, let no one catch on, ate nothing, never got wet in the sea, or from the sea in the sky. I did nothing wrong except everything. But even so I never turned away from the poem, even when I shaved off little bits to sharpen my sense of the poem, or the unseen warfare in the world.

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  • ARTS AND CULTURE

    A few hot days in the Flinders Ranges

    • John Cranmer
    • 07 November 2016
    1 Comment

    Have you ever noticed the way that book and reality sometimes entwine and become essentially one? It's happening here and now as we contemplate these few hot days in Hawker and the Flinders. Anita Desai's The Zigzag Way creates a context for living here at this particular ephemeral moment. Altiplano Mexico in all it's barren frugality integrates with these hot and marginal plains hemmed in by the cragginess of surrounding scarplands with their many strong stories

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  • INTERNATIONAL

    An ode to speechless Bob Dylan

    • Philip Harvey
    • 04 November 2016
    10 Comments

    Initial silence from Dylan after the announcement of his Nobel Prize led one of the Scandinavian officials to complain he was being 'impolite and arrogant'. This prompted even more vitriolic opinion online on all sides, from fans, litterateurs, Dylanologists, and other armchair grenadiers. Just as things were getting completely tangled up in blue Dylan himself broke the silence to explain that news of the award had left him speechless. We shouldn't be surprised. Speechless is a normal state for a poet.

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  • ARTS AND CULTURE

    Poem for Daniel Joseph Harrington

    • Brian Doyle
    • 24 October 2016
    5 Comments

    This is what I saw at a funeral, on a bright brilliant crystal spring day which the late lamented would most surely have called a great day for golf: His grandson, age smallish, dandling the deceased's favourite club on the lawn outside the church, as all the mourners stood around chatting. The boy whirled it like a baton, and balanced it on a finger, and finally leaned insouciantly on the club, exactly as his grandfather had so very many times before. It seemed very much to be a prayer, somehow.

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  • ARTS AND CULTURE

    A cassowary in Tinbuctoo

    • Chris Wallace-Crabbe
    • 17 October 2016
    1 Comment

    When I was a kid, I certainly knew, that a cassowary in Tinbuctoo, was able to eat a missionary, cassock, bands and hymn-book, too. Because it rhymed, it had to be true. But what on earth were those bands doing? Nothing musical, I'll be bound, And a cassock, what sort of jigger was that?

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  • ARTS AND CULTURE

    My last poem

    • Max Richards
    • 10 October 2016
    8 Comments

    'You'd be on the beach with me, dearest, and your favourite birds nearby as if making gifts of themselves to you. Sharing was what we were doing, and there seemed no end to it, though there would be, darkness coming on, no knowing when but not yet, not quite yet.' Poetry by Max Richards, who died after sustaining head injuries in a car accident in Seattle on 21 September.

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  • ARTS AND CULTURE

    Refugees returning home

    • Jena Woodhouse
    • 26 September 2016
    5 Comments

    Across the black hole of my solitude, the self-indulgent pit where I lick self-inflicted wounds, lightly step returning refugees. They know why they trek through forest, crossing rivers, day by day, on bruised and lacerated feet, in rain, on clay, on sharp-edged stones. For them there is no other way, and they are going home ... They have no doubt where they belong, the dying and the newly-born, no time to squander on regrets: they are going home ...

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