Search Results: 60 minutes

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  • ARTS AND CULTURE

    Fake news about 'fascist' Queen

    • Tim Kroenert
    • 01 November 2018
    17 Comments

    Some creative choices see Bohemian Rhapsody veer from fairytale to fake news. Displacing 'Fat Bottomed Girls' allows the filmmakers to write out the exploitative publicity stunt for that song. By skipping The Works tour, they can conveniently ignore how the band flouted the UN's cultural boycott against apartheid era South Africa.

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  • RELIGION

    Christianity tells stories; Islam finds designs

    • Michael McGirr
    • 31 October 2018
    16 Comments

    My year ten class studies Islam, one of the most formative influences in the world that my students will inhabit and hopefully improve. I have a profound respect for Islam. Westerners often fail to acknowledge the debt they owe to Islam, a tradition that had a huge role in bringing Europe through the Dark Ages and into the Renaissance.

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  • ECONOMICS

    Fronts of distortion in the Khashoggi affair

    • Binoy Kampmark
    • 19 October 2018
    4 Comments

    Trump finds facts distasteful and prefers to avoid engaging them; the Kingdom of Saudi Arabia finds them in need of censorship, possibly of the most extreme type; and Turkey, with one of the world's most sullied records in treating journalists, retains a reserve discordant with its own findings.

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  • RELIGION

    A planet to heal

    • Frank Brennan
    • 06 August 2018

    How are we to honour the commitment to peace of these Japanese and Maralinga survivors of nuclear conflagrations unleashed maliciously or negligently last century? We need to renew our commitment to painstaking negotiation of international treaties and agreements designed to ensure peace and security for all, insisting on the dignity and human rights of all.

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  • ARTS AND CULTURE

    Comedy and trauma in Nanette and Funny Cow

    • Tim Kroenert
    • 01 August 2018
    1 Comment

    Hannah Gadsby's Nanette critiques comedy as an imperfect tool for processing and transcending trauma. Funny Cow, about a woman comedian in 1970s northern England, attempts something similar. Both say something about the intersection of comedy and trauma and what it reveals about how we relate to each other as human beings.

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  • ARTS AND CULTURE

    Returned soldiers mask sorrows with scams

    • Tim Kroenert
    • 25 July 2018
    2 Comments

    This sleight of hand from Albert sets a pattern, as the two go on to collude on an elaborate ruse, selling Edouard's designs for patriotic memorials that they never intend to build. Edouard, having plumbed the depths of opiate addiction, comes alive in the scam, a puckish schemer in a series of elaborate papier-mâché masks.

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  • ARTS AND CULTURE

    In your absence I sense your presence

    • Maureen O'Brien
    • 24 July 2018
    4 Comments

    Our last walk together on a beach takes place on a balmy autumn day. The sun shining, the sea calm. While there is something beautiful about that scene and moment, I wonder, in retrospect, why I said, 'This is almost like being in heaven.' Unconscious, prophetic words, or simply an acknowledgement of perfection in my mind's eye?

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  • RELIGION

    So-called 'witch-hunt' holds Wilson to account

    • Peter Gogarty
    • 19 July 2018
    23 Comments

    I am a survivor of sexual abuse. It was me who first made a complaint to NSW police that Wilson knew what Fletcher had been up to, who wrote an opinion piece for Fairfax asking what Wilson knew, who appeared on ABC TV naming the Archbishop. By extension, it must be me who initiated the witch-hunt and stirred up public hysteria.

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  • MEDIA

    Archbishop Wilson: Fair cop or foul?

    • Alan Atkinson
    • 13 July 2018
    50 Comments

    I have interviewed Wilson just once, while working for the ABC in Adelaide. I am not a Catholic. I abhor sexual abuse and its concealment. I do not wish to debate the rights or wrongs of resignation but simply reflect on whether the pursuit of Wilson could be described as a witch-hunt and whether he might be a scapegoat for the sins of many.

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  • ARTS AND CULTURE

    How I learned not to drive

    • Isabella Fels
    • 06 July 2018
    6 Comments

    My instructor didn't understand my mental illness. I began to dread all the many never ending driving lessons, spoiled by his quick temper and my clashing negativity. I kept sliding backwards instead of forwards. Either too slow or too fast, according to my volatile moods. I could never get out of the woods.

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  • ARTS AND CULTURE

    The unsung hero of great Australian films

    • Tim Kroenert
    • 29 June 2018

    Film buffs might regret there's not a more detailed technical breakdown of Bilcock's craft. Still it it is a warm-hearted tribute to the art of editing, the process by which a film takes its final form, often as different from what was shot as the footage isfrom the original script; and to one editor whose sense of character and audience is hailed by these directors as defining their films.

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  • ARTS AND CULTURE

    Portrait of a killer at school

    • Tim Kroenert
    • 27 June 2018

    My Friend Dahmer, based on the memoir by John Backderf about his teenage friendship with the soon-to-be killer, is a complex character study of which Dahmer's troubled home life, repressed homosexuality, abuse of alcohol, and experiences of bullying and social alienation are motley features rather than defining characteristics.

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