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Timothy Radcliffe has a hopeful vision for the Church, yet noting the slow pace of institutional change in his recent visit to Australia, he presented a sort of optimism that eschewed any hope for immediate outcomes. The basis for Radcliffe’s optimism seems to be his assumption that it is acceptable for the Church to take its time.
Dante and Hopkins named it lavishly: Christ’s vita nuova, shared to Easter in us; Ignatius of Loyola called it: magnanimity . . . How could we then, receiving, hoard or dispense it stintingly, like Scrooge before his Christmas haunting?
How do we live and work happily together with people whose views on the world and human nature are fundamentally different to our own? Can different beliefs within organisations be lived with, or even celebrated, without necessarily undermining the organisation’s own core mission?
As the world grapples with the promise and perils of technological advancement, billionaire Bryan Johnson's quest for eternal life underscores a broader societal fascination with defying death. Can science truly outpace the inevitability of mortality?
Love is a much-used word, and, like domestic cutlery, it tends to lose its shine. Its boundaries then shrink to the average rather than to the inspiring. For that reason we need stories that stretch the ceiling of love beyond anything we could imagine. Not because we think that we could reach such far places, but because it enlarges the horizon of our lives.
Palm Sunday stands at the intersection of the world of justice and goodness and the brutal political realities in human societies. It mocks the pretensions of power that considers only the expediency of actions and not the human reality of the people affected by them. At that intersection today, refugees lie in the centre.
Featuring a stellar cast of Hollywood’s finest actors, Apple TV's Extrapolations was a bold attempt to center a TV narrative around the dangers of our future on a warming planet, yet failed to capture audiences. But where Extrapolations failed as an effective cautionary tale for society, it may have succeeded as one for filmmakers.
Times are changed and we are changed with them. As societal norms evolve, from fashion to expressions of freedom and political attitudes, how does each of us adapt while preserving our core selves?
Recognition is not simply an acceptance of facts. It involves also entering the experience of the people affected. Reconciliation must begin with truth telling, flow into empathy, and be followed by a conversation aimed at building decent relationships.
Two books about a 1942 massacre of Australian nurses were released last year. One is reliable, the other is notable for factual omissions. If we leave something out, are we then guilty of censorship? Alternatively, if our truth-telling offends someone else, what is our justification for so doing?
You open the atlas and run your fingers along the edges of continents, climb mountains, trace valleys, pause at coastlines of sand and wave. This is where you have been and this, fingers arched, is where you want to go. Death is too faint to be seen. Though you know it’s there, the undiscovered country.
By day, Gaza is news and images in the media. During the day, we nod as we see the plausibility of all the arguments. But sometimes at night, we may hear again the voice of lamentation, weeping and great mourning.