Search Results: Mad Max: Fury Road

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  • MEDIA

    Why having a female Dr Who matters

    • Neve Mahoney
    • 26 July 2017
    12 Comments

    It was recently announced that the thirteenth iteration of the main character in Doctor Who will be played by Jodie Whittaker. A woman. In 2017, the casting of a white woman in a major TV role is hardly revolutionary, except that the role is the Doctor, a regenerative alien who can take on the appearance of anyone, but has for 12 iterations tended towards the persona of a quirky British white man.

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  • ARTS AND CULTURE

    Racist Oscars need to lift their game

    • Tim Kroenert
    • 20 January 2016
    2 Comments

    It's less than a year since we lamented the lack of non-white faces among 2015's Oscar nominees. This year the situation is even grimmer, with not one non-white face among 20 nominees for acting awards, despite a raft of clear contenders. It is ironic, because at first glance, concepts of empowerment and inclusion seem to have been at the forefront of Academy members' minds. The theme of bringing marginalised or oppressed groups into the centre, or of restoring power and dignity to vulnerable individuals from whom it has been stripped, run through many of this year's nominated films.

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  • MEDIA

    2015 in review: Australia's film industry boys club

    • Rochelle Siemienowicz
    • 12 January 2016

    The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.

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  • MEDIA

    Australian film industry boys club needs redressing

    • Rochelle Siemienowicz
    • 22 November 2015
    10 Comments

    The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.

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