Search Results: National Gallery of Victoria

  • AUSTRALIA

    African gang beat-up plays us all for mugs

    • Celeste Liddle
    • 17 July 2018
    16 Comments

    Through last week's Sunday Night report on Channel 7, we were treated to another round of fear mongering. Never mind that just last year police admitted that the so-called 'Apex Gang' did not exist. As an Aboriginal woman, I'm tired of being told by politicians and newspapers which other people of colour I'm supposed to scared of.

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  • ECONOMICS

    Don't let business mindset stifle the arts

    • David James
    • 20 February 2018
    2 Comments

    The practice of appointing business people to oversee arts bodies is as questionable as referring to the arts as an 'industry'. Business and the arts work on almost diametrically opposed rationales. Understanding this might go a long way towards assessing the art world more intelligently.

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  • ENVIRONMENT

    Forecast: political storm over energy

    • Greg Foyster
    • 08 December 2017
    4 Comments

    Summer is here, and so is the political spin about blackouts. This year, with a record November heatwave in Victoria and a press gallery hypersensitised to energy politics, the blame game started early - well before anything has actually gone wrong.

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  • ARTS AND CULTURE

    GOMA's summer of frivolous art

    • Sarah Klenbort
    • 13 December 2016
    5 Comments

    I will always remember the first time I saw Giacommeti's statues in in Europe. They were grotesquely thin, elongated people. Giacometti explained how he tried to make people with more flesh, but after World War II and the six million, it was impossible. And so those statues reflect the time he lived in. Queensland's Gallery of Modern Art, on the other hand, is celebrating its tenth anniversary, and has chosen fairy floss and rainbow fuzz to reflect our current society.

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  • ARTS AND CULTURE

    A perfect stranger's perfect gift

    • Maureen O'Brien
    • 22 November 2016
    5 Comments

    Recently I went with a group of friends to see the musical Dusty. Afterwards, walking with one of my friends, I spoke about how special it had turned out for me seeing this musical on the day after my 54th wedding anniversary. Dusty Springfield's songs were ones my husband and I would have known well at the time. Just as I was reflecting on how some events have more significance than what appears on the surface, a young man on my right turned to me and handed me a large red flower.

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  • INTERNATIONAL

    Cultural ownership and responsibility is not just a fad

    • Esther Anatolitis
    • 04 October 2016
    10 Comments

    Who owns a cultural object? Who has the right to determine cultural values? And how can public institutions exercise cultural responsibility? It's a timely set of questions as we consider the implications of the National Gallery of Australia's return of ancient Indian sculptures, the British Museum's refusal to return Indigenous objects, or Lionel Shriver's rejection of minority cultural identities. Each of these unleashes complex, painful consequences that can undermine cultural value or cultural safety.

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  • INTERNATIONAL

    Ai Weiwei is the cultural hero that China needs

    • Jeremy Clarke
    • 16 December 2015
    3 Comments

    Ai Weiwei might be more Dada than Dao and a hirsute satirist of Beijing's rulers, but he is no mere trending hashtag. Since his birth in 1957, his life history has moulded him, and given him the courage to speak up for a reformed China. And while he might appear the court jester that a simplistic West wants, he is in fact a clever and pragmatic political operator in his own world pursuing a rights agenda in a systematic, constructive and humorous way, often through artistic production.

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  • ARTS AND CULTURE

    Working mum contemplates balance amid chaos

    • Jen Vuk
    • 27 November 2015
    1 Comment

    The tweet I sent that afternoon pretty much summed things up: 'Running late for work-life balance seminar. Why? Life, of course.' The irony was not lost on me. While officially I work part-time, I also freelance as a writer, volunteer regularly at my kids' primary school, have increasingly frail elderly parents who I feel terribly responsible for, and try to keep fit and maintain some semblance of a social life. On the day of the seminar on work-life balance, I'd managed to fill my schedule to breaking point.

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  • ARTS AND CULTURE

    The enigma of the island

    • Ian C Smith
    • 23 June 2015
    3 Comments

    Our salt-blasted car rental veteran guzzled fuel, gearbox a disaster gasping past wallaby roadkill leaving the dramatic volcanic mountainscape for glimpses of carved bays, Crusoe beaches contrasting with weathered scrub, still farms.

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  • MARGARET DOOLEY AWARD

    Our future is public

    • Andy Lynch
    • 27 August 2014
    9 Comments

    The kind of Australia we live in today can be directly attributed to the kinds of institutions built 150 years ago - schools, universities, libraries, museums, and more. But in 2014 is it even possible to carve out new public institutions or give new life to those that have waned in relevance?

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  • AUSTRALIA

    Freedom of expression for the rest of us

    • Ruby Hamad
    • 04 April 2014
    6 Comments

    How ironic that, even as Attorney General Brandis ensures the rights of 'bigots', the rest of us find our own rights under threat. Liberal state governments continue to roll out laws that affect the more marginalised and less privileged among us. Victoria's new 'anti-protest' laws and Queensland's 'anti-bikie' laws threaten public protest and assembly, which for most of us is how we exercise our freedom of expression.

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  • ARTS AND CULTURE

    Human faces of Monet's demons

    • Benedict Coleridge
    • 09 August 2013
    7 Comments

    Monet, in a period of deep grief and loss, made what was in his career a rare decision: to paint other people. The artist forgot himself in contemplating the faces of his wife and his son, in depicting the faces of death and of incomprehension. We need icons like this — icons of incomprehension, reminders of the fragile self that, behind its virtual armour, is beset by doubt and demons.

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