Search Results: Oscar Isaac

  • ARTS AND CULTURE

    God in the cell

    • Tim Kroenert
    • 16 March 2018
    2 Comments

    Kane insists God doesn't make mistakes: 'That's what makes him God.' Lena retorts with reference to the Hayflick limit — the naturally occurring limit on the number of times cells can divide. Never mind cancer; the very fact of ageing, she says, comes down to a flaw in our DNA. It's a telling scene, pointing to a scientifically enlightened humanity at odds with its own physiology.

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  • AUSTRALIA

    The economic case for greater diversity in media

    • Fatima Measham
    • 05 August 2016

    Perhaps what will ultimately convince media and entertainment companies that it is in their interest to be sincere about diversity is that there's money in it. A UCLA study found that in 2014, eight films that had diverse casts (out of 163) also had the highest median global revenues and returns on investment. In addition, TV shows with majority non-white casts rated extremely well, even among white households. This challenges conventions around what media consumers find appealing.

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  • ARTS AND CULTURE

    Racist Oscars need to lift their game

    • Tim Kroenert
    • 21 January 2016
    2 Comments

    It's less than a year since we lamented the lack of non-white faces among 2015's Oscar nominees. This year the situation is even grimmer, with not one non-white face among 20 nominees for acting awards, despite a raft of clear contenders. It is ironic, because at first glance, concepts of empowerment and inclusion seem to have been at the forefront of Academy members' minds. The theme of bringing marginalised or oppressed groups into the centre, or of restoring power and dignity to vulnerable individuals from whom it has been stripped, run through many of this year's nominated films.

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  • ARTS AND CULTURE

    Ten films that got us thinking in 2015

    • Tim Kroenert
    • 17 December 2015
    2 Comments

    From the drama-filled mind of a pre-teen girl to the homes of former Indonesian death-squad members; from a day in the life of a transgender sex-worker to a grim and sublime new rendition of one of Shakespeare's most famous plays; from one actor's immense ego to another's fading relevance to an allegedly doomed writer's captivating self-effacement, Eureka Street's resident film buff Tim Kroenert revisits the characters and themes of some of the best and most conversation-worthy films of 2015.

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  • ARTS AND CULTURE

    Women exploited on the road to human extinction

    • Tim Kroenert
    • 07 May 2015
    1 Comment

    Nathan has been able to refine Ava's software thanks to his unmitigated access to internet users' search data, as well as to their telecommunications. Caleb, too, wonders if his attraction to Ava is due to her design being based on a review of his internet pornography profile. It is no coincidence that Ava replicates an idealised version of the female form. Nathan's and even Caleb's relationship to her is fundamentally exploitative and voyeuristic.

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  • ARTS AND CULTURE

    The dark side of a migrant's American Dream

    • Tim Kroenert
    • 05 March 2015

    Abel's life is pointedly contrasted with Peter's, a young truck driver who has been the victim of several violent assaults on the job. Peter idolises Abel, for whom the Dream has apparently come true — if Abel can make it, so too can Peter. The problem is that Abel's Dream stands on the backs of ordinary workers like Peter. Peter is a tragic antihero coming to learn that for many, the Dream will remain just that.

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  • ARTS AND CULTURE

    Discerning truth in Balibo's fiction

    • Tim Kroenert
    • 20 August 2009
    5 Comments

    'Cinema,' says director Robert Connolly, 'can take the audience and show them a tragedy in a way that creates empathy. I was interested in exploring the ability of this country to compel people to tell its story. It's hard not to start caring for what happened there.'

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  • AUSTRALIA

    How Balibo distorts history

    • Paul Cleary
    • 20 August 2009
    10 Comments

    The first feature length film about Indonesia's invasion of East Timor and the deaths of six Australian journalists fails to inform the audience of the diplomatic dirty tricks, and Australian and American complicity.

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