Search Results: Oscars

  • ARTS AND CULTURE

    Is it too hard to have a career in the arts?

    • Amelia Paxman
    • 15 June 2018
    17 Comments

    The slow, heartbreaking realisation that unfolded over a year or more was that none of this — the heavy glass trophy, breathing the same air as popular TV hosts, sitting at those fancy tables — would change anything. It was an elaborate farce, and I was still a nobody in a struggling ecosystem.

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  • ARTS AND CULTURE

    Women's divine rights

    • Tim Kroenert
    • 23 March 2018

    We know how this is going to turn out historically: the 1971 referendum is successful. There is a certain quaintness to the film that makes it feel off the pace of the current conversation around women's rights. But there is an engaging frankness to its attention to the sexual liberative dimension of women's self-agency.

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  • MEDIA

    Sympathetic men need to check their privilege

    • Catherine Marshall
    • 01 March 2018
    7 Comments

    While the female-led outcry continues, those men benefitting from the imbalance ought to question their privilege. Instead of carrying sympathetic white roses into the Oscars, they should use the opportunity to question their own complicity in accepting roles in movies where women are inadequately represented.

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  • ARTS AND CULTURE

    Lady Bird's riposte to Hollywood sexism

    • Tim Kroenert
    • 28 February 2018
    8 Comments

    That Hollywood has a gender equality problem is not in doubt. The conversations around what constitutes assault and harassment, and about how Hollywood culture reflects and reinforces equality in society at large, is vital, and sophisticated. The standard of what we should expect is being constantly raised. It should be.

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  • CARTOON

    Worst actor in a supporting role

    • Fiona Katauskas
    • 01 March 2017
    2 Comments

    This week's offering from Eureka Street's award winning political cartoonist.

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  • ARTS AND CULTURE

    Space race saga's Black history through White eyes

    • Tim Kroenert
    • 14 February 2017
    1 Comment

    There's a gag about sitting in the back of the bus, the realities of segregation dismissed with a giggle; references to university sit-ins and firebombings come via the eyes of a cartoonishly earnest character. Meanwhile the White characters are either the object of contrived sympathy, or too thinly drawn to invoke genuine menace. Accusations of 'cultural appropriation' might be uncharitable, but the short shrift given to the real, continuing hardships of Black experience raises questions about objectives and authenticity.

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  • ARTS AND CULTURE

    Fences and co. fight back against Oscars racial bias

    • Tim Kroenert
    • 08 February 2017
    1 Comment

    The Academy, it seems, has listened. After the #whiteoscars furore of past years, three of this year's Oscar nominees for Best Picture, Moonlight, Fences, and Hidden Figures, are films with predominantly (if not entirely) Black casts, and focused on the experiences of Black characters. Cast and crewmembers from all three have been nominated in various categories. To be fair, all three films would have demanded attention, with or without the recent controversy around awards season racial bias.

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  • AUSTRALIA

    The economic case for greater diversity in media

    • Fatima Measham
    • 05 August 2016

    Perhaps what will ultimately convince media and entertainment companies that it is in their interest to be sincere about diversity is that there's money in it. A UCLA study found that in 2014, eight films that had diverse casts (out of 163) also had the highest median global revenues and returns on investment. In addition, TV shows with majority non-white casts rated extremely well, even among white households. This challenges conventions around what media consumers find appealing.

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  • ARTS AND CULTURE

    Great white filmmakers can't dismiss diversity

    • Tim Kroenert
    • 10 March 2016
    6 Comments

    When questioned about diversity in his films recently, Joel Coen replied: 'You don't sit down and say, "I'm going to write a story that involves four black people, three Jews, and a dog".' The answer is disingenuous at best. Filmmakers choose what stories to tell and how; with a few exceptions, the Coens tell stories about white men. Just as Quentin Tarantino ought to continue discussing the role violence and misogyny play in his films, the Coens should engage meaningfully with questions of diversity.

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  • MEDIA

    #HollywoodSoMale

    • Catherine Marshall
    • 03 March 2016
    7 Comments

    Chris Rock's hosting of the Academy Awards was a win-win culmination of the #OscarsSoWhite campaign in which no actual person had to take the blame. Instead, a faceless institution named 'Hollywood' was rapped over the knuckles for its racism while the flesh-and-blood white faces that represented it could get on with the business of congratulating themselves. While all this mollification was going on, there was another, gargantuan prejudice saturating the air these celebrities were breathing.

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  • ARTS AND CULTURE

    The problem of privilege in transgender stories

    • Tim Kroenert
    • 04 February 2016
    11 Comments

    As a white, middle-class, straight, cisgendered man, I am conscious of the extent to which the chips of social privilege have been stacked in my favour. As such there are some public conversations that I am patently unqualified to enter. One of these is the sometimes fierce debate that exists between some feminists and some members or supporters of the transgender community. One of the pitfalls of telling a story about marginalisation from a perspective of privilege is that you can overlook ethical nuances.

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  • ARTS AND CULTURE

    Racist Oscars need to lift their game

    • Tim Kroenert
    • 21 January 2016
    2 Comments

    It's less than a year since we lamented the lack of non-white faces among 2015's Oscar nominees. This year the situation is even grimmer, with not one non-white face among 20 nominees for acting awards, despite a raft of clear contenders. It is ironic, because at first glance, concepts of empowerment and inclusion seem to have been at the forefront of Academy members' minds. The theme of bringing marginalised or oppressed groups into the centre, or of restoring power and dignity to vulnerable individuals from whom it has been stripped, run through many of this year's nominated films.

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