Search Results: Peter Sarsgaard

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  • ARTS AND CULTURE

    Jackie, JFK and the making of American myths

    • Tim Kroenert
    • 17 January 2017
    2 Comments

    The perspective is Jackie's at all times; JFK himself rarely appears onscreen, and often is just a shoulder or a jaw glimpsed in profile at his wife's side. Portman's is a fine portrayal, displaying at all times an abiding grace and dignity, whether she is washing her husband's blood off her face, or facing down the questions of an astute journalist who may or may not be on her side. In the making of the Camelot myth, Jackie models the presidential funeral on Abraham Lincoln's, by this very process rejecting her brother-in-law Robert's doubts that the Kennedy presidency ultimately amounted to much at all.

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  • ARTS AND CULTURE

    Devil worship on Boston's mean streets

    • Tim Kroenert
    • 07 October 2015
    2 Comments

    A Black Mass is a travesty of the Catholic Mass in worship of the devil. In this instance it is a metaphor for FBI agent Connolly's devotion to violent criminal Bulger, due in part to the social benefit he attains through his association with this powerful criminal, but running all the way back to a formative childhood encounter that is hinted at but not articulated in detail. Of the flatly villainous Bulger and the morally complex, wilfully compromised Connolly, the latter is the more palpably evil.

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  • ARTS AND CULTURE

    Disconnected landscapes

    • Anthony Morris
    • 10 September 2014

    As with her previous films, Kelly Reichardt is interested in people moving through and reacting to their landscape. In Night Moves, the drama comes from the way the characters' reaction to their environment cuts them off from the world around them. This refusal to connect turns toxic.

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  • ARTS AND CULTURE

    A broken woman hastily reassembled

    • Tim Kroenert
    • 18 September 2013
    2 Comments

    Jasmine is a tragic figure, and her fatal flaw is that she is entirely self-absorbed. But she is also a victim; the product of a society that expects women to conform to norms that disempower them. It was not her husband's downfall and the resultant material loss that caused her breakdown. It was the many years she spent in a marriage that was fundamentally abusive.

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  • ARTS AND CULTURE

    Heroes and villains are only human

    • Tim Kroenert
    • 10 August 2011

    For those who seek role models at the multiplex, through the polarised lenses of a pair of cheap 3-D glasses, Green Lantern contains two types worth considering. One is 'the villain I hope I'm not'. The other is 'the hero that I could be'. 

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  • ARTS AND CULTURE

    Aged Lothario's terror and redemption

    • Sarah Kanowski
    • 16 April 2009

    The narrator of Philip Roth's novella The Dying Animal is self-indulgent, narcissistic, and driven by the urge to sexually conquer. The film Elegy transposes Roth's log of masculine decline into a mournful lament for the dead.

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  • ARTS AND CULTURE

    Film reviews

    • Allan James Thomas, Gil Maclean
    • 20 April 2006

    Reviews of the films Brokeback  Mountain, Jarhead and Munich.

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