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In fiction, place often feels secondary. But when place comes alive in writing, it is a delight. When it’s a place that has shaped you, or continues to shape you, then your own mythology expands.
The Crown, that extraordinary TV series about the British Royal Family, is drawing to a close, with the final six episodes released in the prelude to Christmas. In the meantime, the producers have shrewdly done a quartet of episodes about Diana, with Australia's Elizabeth Debicki giving a dazzling performance as ‘the People's Princess’.
Navigating the labyrinthine world of James Joyce is a lifelong pursuit for some, and for Frances Devlin-Glass, it's a calling. From a chance encounter at a Bloomsday celebration to yearly seminars, her passion for Joyce has become a beacon for those eager to explore. But what is it about Joyce, and the global celebration of his work, that keeps readers coming back?
Ian McEwan's Lessons marked a sharp twist in a five-decade literary career, and presents an opportunity to reflect on his expansive body of work. The one-time literary rogue and Booker laureate now stands as the unquestioned doyen of modern English fiction, his audacious work perpetually navigating undercurrents of unease.
At the intersection of myth, science, and law is the contentious case of Kathleen Folbigg, accused of being a modern-day Medea. Convicted of killing her children and later exonerated, Folbigg’s story serves as a cautionary tale about the complexities of science in legal judgments and societal myths of motherhood cloud our interpretation of facts.
Known for incisive insights into societal issues like fundamentalism, loneliness, and abuse, theologian and cultural anthropologist Fr Gerald Arbuckle is now examining the rise of conspiracy theories. In conversation with Michael McVeigh, Arbuckle discusses his work, cultural anthropology, and the impact of 'cultural trauma'.
In the world of science and rational inquiry, few names loom as large. The often-controversial evolutionary biologist has spent decades exploring the mysteries of the natural world and ruffling feathers in religious and secular movements alike. Speaking to Eureka Street, Richard Dawkins discusses the difficulties in public discourse and what constitutes modern heresy.
Is resurrection the ‘theme’ of 2022? Politicians want to resurrect the fortunes of CBD cafes, film studios are resurrecting old movie franchises, and we’re all doing our best to revive flagging spirits after two years (at least?) of bad news. And here we are at Easter weekend, the resurrection story: Jesus crucified and buried on Good Friday, raised from the dead come Easter Sunday.
Bird darts every day sometimes twice to the high bath. Perches, hops around the rim. Snaps its gaze side to side, up, down, behind. Calls out, sharp, insistent.
The discussion in Australia as to how such atrocities are to be approached is telling. The call for responsibility has varied by degrees. Most tend to some variant of the rotten apple theory: a few particularly fruits that may be isolated and extruded from the barrel. Culpability can thereby be confined, preserving the integrity of other military personnel and, importantly, political decision makers.
I circle the huge granite standing stone sunwise three times, as my ancestors did long before the designs of cranes and coins, of theory. ‘Tell me how and what they thought.’ No answer but the wheeling murmuration of a thousand starlings. A stubble field.
Staring toward the stringy picture through a linguistic lens I have begun to see that the elderly magic, deplored by most religions, was a daughter of coincidence mathematically robed in some downright glorious colours.