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Between 1968 and 1981, performance spaces such as the Pram Factory in Melbourne facilitated a flourishing of the Australian theatre scene. Initially, the idea that the local product might be inferior was insufficient reason for preferring the import.
As Australians wait for a Federal election, Hilary Glow’s book is timely evidence that what is wrong with the world is what politicians would have us believe. Contemporary playwrights are wrestling with the issues seen as crucial to the notion of who we really are as Australians in the twenty-first century.