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Keywords: Climax

  • RELIGION

    Old rituals, new revelations

    • Geraldine Doogue
    • 02 April 2024

    Each year, the Stations of the Cross liturgy affects me more than I had planned. Annually, I am left wondering: why does this ritual work? Well, it has much to offer: a narrative with exposition, climax and denouement; characters big and small; blood, gore, politics, virtue, cowardice and a pointer towards mystery.

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  • INTERNATIONAL

    The sorrow of war

    • Andrew Hamilton
    • 08 March 2022
    13 Comments

    In the face of the horrors of invasion it is natural to be fascinated by the destructiveness of war and to immerse ourselves in military and political strategies. It is also natural to feel helpless and angry at the destruction of human lives, of cities and freedoms, and from a distance to barrack for one side and against the other. We attribute blame and praise, weigh causes and justifications, and divide the world into friends and enemies.

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  • AUSTRALIA

    United by our national scapegoat

    • Joel Hodge
    • 20 January 2022
    14 Comments

    It is unusual when political enemies unite. We should take note of them. The spectacular deportation of Australian Open tennis champion, Novak Djokovic, is one such unusual moment. Feeling had risen to a mob-like fervour. One is left wondering why?

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  • ARTS AND CULTURE

    The promise of alchemy

    • David Rowland
    • 01 November 2021
    8 Comments

    Ben Jonson is one of the great English Renaissance playwrights but he can also be challenging for the modern reader. When I first came to Jonson some years ago, I attempted a comedy from 1610, The Alchemist. I soon felt out of my depth. Conceding defeat, I put the book aside and told myself that there would be some ‘other time’. This year in Melbourne, with the theatres closed, the streets largely deserted, and travel restrictions firmly in place, that ‘other time’ arrived.

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  • INTERNATIONAL

    A legacy worth leaving

    • Najma Sambul
    • 18 March 2021
    21 Comments

    I never had to confront the idea that the British monarchy — and the British Empire at large — was built on racist principles and benefitted from racist practices. Not until it came from the mouth of one of the Royal family’s favourite iconoclasts, Meghan Markle.

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  • RELIGION

    The disruptiveness of an election year Easter

    • Andrew Hamilton
    • 15 April 2019
    2 Comments

    This year both the public and the Christian Easter are overshadowed by the forthcoming election. In the public world election means that assured people choose their rulers. In the Christian story election means that desperate people are chosen. Each kind of election has its place.

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  • ARTS AND CULTURE

    A bad trip to the pits of human experience

    • Tim Kroenert
    • 29 November 2018
    3 Comments

    The cast of mostly unknowns is multiracial and spans the spectrum of sexual orientations and gender identities. Not long ago that might have seemed transgressive, but these days it seems like the least that could be hoped for from a piece of mainstream entertainment.

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  • ARTS AND CULTURE

    Fake news about 'fascist' Queen

    • Tim Kroenert
    • 01 November 2018
    20 Comments

    Some creative choices see Bohemian Rhapsody veer from fairytale to fake news. Displacing 'Fat Bottomed Girls' allows the filmmakers to write out the exploitative publicity stunt for that song. By skipping The Works tour, they can conveniently ignore how the band flouted the UN's cultural boycott against apartheid era South Africa.

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  • ARTS AND CULTURE

    Oliver Stone's love letter to hero Edward Snowden

    • Tim Kroenert
    • 28 September 2016
    1 Comment

    Snowden's disclosures regarding the data-mining activities of the US government sparked a worldwide debate about security versus privacy that rages to this day. If his status as either a villain or a hero - a traitor, or the ultimate patriot - remains a matter of debate in some circles, you won't die wondering in which camp Oliver Stone sits. In Snowden the famously didactic filmmaker posits an utterly sympathetic portrait within the structure of a lithe and gripping political thriller.

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  • ARTS AND CULTURE

    Sad story of a tragic opera wannabe

    • Tim Kroenert
    • 21 April 2016
    3 Comments

    Socialite and amateur operatic soprano Marguerite cuts an intriguing and tragic figure, devoted to her craft but oblivious to her lack of talent. Yet the joy she gains from believing she is a great singer doesn't depend on the reality or otherwise of that belief. Is it right or wrong for those who care for her to allow her to continue in her delusion? The question echoes the concept of a life-lie, invoked by Henrik Ibsen to argue that human beings are sometimes better off living in at least partial ignorance of reality.

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  • ARTS AND CULTURE

    Kidnapped woman's post-traumatic love

    • Tim Kroenert
    • 01 February 2016

    For seven years, Joy has been held prisoner in the garden shed of a suburban maniac. During this time she has raised a son, Jack, who is now five, employing elaborate and imaginative methods to nurture and educate him, while protecting him from the reality of their existence. Room is remarkable for its capacity to transmit the bleakness of Joy's situation via the wonder-full gaze of Jack, for whom this makeshift prison is the entire world, bursting with possibilities for recreation, rest and learning.

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  • AUSTRALIA

    Why Pope Francis is not an anti-Capitalist greenie

    • Frank Brennan
    • 23 October 2015
    4 Comments

    Francis knows there are all sorts of issues inside and outside the Church where for too long people with power have tried to keep the lid on, in the hope that the problems and complexities will go away, often by parodying those who see the problems or complexities as small 'l' liberals or cafeteria Catholics. He delights in being joyful and troubled while contemplating big problems, calling people of good will to the table of deliberation reminding them of the kernel of the Christian gospels. He has the faith and hope needed to lift the lid without fear and without knowing the answers prior to the dialogue occurring.

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