keywords: David Fincher

  • ARTS AND CULTURE

    Alfred Hitchcock's Catholic guilt

    • Tim Kroenert
    • 05 August 2016

    The interviewees regard Vertigo with awe, waxing lyrical about its psychosexual subtext; but not a word is said about the inherent misogyny of a film that is explicitly about a man's objectification of a woman. The film's most interesting segment however concerns the pre-eminence of guilt in Hitchcock's films, and the role it plays in shaping human activity. This, says Martin Scorsese (a filmmaker similarly preoccupied with guilt and sin), may define Hitchcock as an essentially Catholic filmmaker.

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  • ARTS AND CULTURE

    Ten films that will get you talking

    • Tim Kroenert
    • 18 December 2014
    8 Comments

    It's December, and film writers everywhere are putting together their lists of the best films of 2014. But best-of lists are so subjective, so here's our take: ten films from 2014 that are guaranteed to get you thinking, and talking!

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  • ARTS AND CULTURE

    Gone Girl promotes conversations about misogyny

    • Tim Kroenert
    • 09 October 2014
    5 Comments

    'If we strapped a bunch of Men's Rights Advocates to beds and downloaded their nightmares, I don't think we'd come up with stuff half as ridiculous as this plot,' wrote one blogger. Dogged by charges of misogyny since the release of her novel (and now film) Gone Girl, Gillian Flynn nonetheless maintains her right to create interesting, complicated female villains.

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  • ARTS AND CULTURE

    No clear villains in Facebook tragedy

    • Tim Kroenert
    • 28 October 2010

    Facebook founder Mark Zuckerberg is reportedly displeased with the film. The decay of his friendship with co-founder Eduardo Savarin during the creation of a site predicated on accumulating 'friends' is the film's greatest irony, and greatest tragedy. 

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