keywords: Hugh Jackman

  • ARTS AND CULTURE

    A larrikin look at sinful sugar

    • Tim Kroenert
    • 12 March 2015
    2 Comments

    Gameau's quest takes him to the Northern Territory, where the prevalence of high-sugar beverages has taken a dire toll upon Indigenous communities, whose access to nutritious foods has been stymied by government policy. Also to America, where he yarns with food industry spin doctors and witnesses the excruciating dental procedure a Kentucky teenager endures to reverse the effects of 'Mountain Dew Mouth'.

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  • ARTS AND CULTURE

    Stories about people who want to do better

    • Tim Kroenert
    • 20 December 2012
    3 Comments

    One man suffers the shame of sex addiction. For another, a quadriplegic, sex is a matter of dignity. Two couples meet for a civilised discussion about their children's behaviour, but civility collapses. An antihero embraces violence as a solution to exploitative American media. Eureka Street counts down its essential films of 2012.

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  • ARTS AND CULTURE

    Grace and intimacy in Les Miserables

    • Tim Kroenert
    • 13 December 2012
    5 Comments

    Valjean betrays a priest who has been kind to him, and the persistence of that man's mercy despite this betrayal sets the tone for Valjean's journey. The compassion and generosity to which he aspires contrasts with the Old Testament sternness of Javert, who is both driven and tortured by a dedication to divinely ordered justice.

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  • AUSTRALIA

    Obama and Baz Luhrmann's Australia

    • Brian McCoy
    • 23 January 2009
    4 Comments

    Australia Day comes this year shortly after Obama's entry into the White House. Like the child in Australia — a film that captures something of the mixed history of our Australian footprint — Obama embodies the possibility of healing across racial and other divides.

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  • ARTS AND CULTURE

    Fractured narrative glosses over ethical dilemmas

    • Donald Russell
    • 12 June 2006

    In X-Men: The Last Stand, there is no build-up of tension, long-serving characters are treated with contempt, and the climax is a cacophony of special effects with actors serving only as props.

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