keywords: Matthias Schoenaerts

  • ARTS AND CULTURE

    Love and violence in Thomas Hardy’s England

    • Tim Kroenert
    • 16 July 2015
    4 Comments

    English literary journalist Lucasta Miller noted that Hardy's title, Far From the Madding Crowd, with 'madding' taken to mean 'frenzied', is an ironic nod to idyllic perceptions of rural life; Hardy 'disrupts the idyll'. At the heart of the story is Bathsheba, a proud and independent young shepherd who becomes the new proprietor of her late uncle's farm. Her story unfolds against stunning rural landscapes that provide a sublime stage for violence both physical and emotional.

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  • ARTS AND CULTURE

    Good guy alienated from God

    • Tim Kroenert
    • 06 November 2014
    2 Comments

    Bob dutifully attends Mass but never takes communion. He's a fundamentally decent working man, as generous as he is taciturn. He is not the kind of man to, say, turn a blind eye to the plight of an injured dog. But Bob has sinful secrets that he feels alienate him even from God.

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  • ARTS AND CULTURE

    Rebuilding humanity after workplace horror

    • Tim Kroenert
    • 04 April 2013
    3 Comments

    Stéphanie loses her legs in a workplace accident. Alain is a single father who becomes her confidante. Their sexual encounters are shown to restore and affirm her dignity; they highlight the physicality of the act, particularly how Stéphanie's confidence in her own changed body flourishes through it.

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