keywords: Neal Cassady

  • ARTS AND CULTURE

    Curing Kerouac's misogyny

    • Tim Kroenert
    • 27 September 2012
    2 Comments

    The book is essentially misogynistic. Women are objects of hedonistic possibilities in the same way that drugs are. Even the Kerouac figure Sal's self-deprecating account of failing to impress a virginal lover manages to marginalise the woman in question. The film seeks to rectify this by giving flesh to its female characters.

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