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The world’s financial markets are afflicted by a deep irrationality that imperils their very existence. On the surface, finance looks logical enough with its numbers, charts, mathematics, forecasts, ‘modelling’ and so on. But this only masks the fact that the system itself has been working on underlying assumptions that are either contradictory — such as that you can ‘deregulate’ finance when finance consists of rules — narrow minded or absurd.
Precipitation before thunder/anticipation in the dusty wings/ premonition & catalyst/excavation site unseen/the poem poised to be written/a treble clef before dancing notes/the dapple around the whisper/a story unbirthed & untold.
In measures now sadly familiar in 2020, theatres were closed once the number of weekly deaths exceeded 30, later 40, but because actors and the theatre world itself were so economically vulnerable, actors, understandably intent on earning a living, soon legally or otherwise cut themselves some slack by taking liberties with the rules governing performances and quarantine — again, a phenomenon that is now, against all previous odds, familiar to people of 2020.
Bosses give any number of reasons, often focused on some vaguely defined notion of productivity, why they do or don’t support remote working, but ultimately it comes down to a single, fundamental question: what is the ideal balance between reducing expenditure and surveilling workers?
Despite the heavy focus on 'hard-hat' professions in our political discourse, Australia’s economy is dominated by its service sectors. If this is Australia’s first service sector recession, why is this not reflected in the focus of our recovery and job creation programs?
A common argument is that publicly-funded artists take unnecessarily from the ‘average Australian’. In the current international crisis, this argument fails to recognise that artists and arts workers are just as deeply impacted financially by COVID-19 as the ‘average Australian’ in other industries.
The pandemic has afforded us a preview of how a crisis plays out when the science is not properly heeded. The overwhelming majority of climate scientists have long been sounding the alarm that the health and safety of large parts of the population are at serious risk, both here and around the world. We are already seeing the damage to health and to the environment that they predicted.
I stare out the bus window, my eyes chasing raindrops down the glass. They jiggle in unison as we jolt over speed bumps. I imagine they’re dancing along with the songs belting through my tangled earphones. A Carla Geneve lyric catches my attention: It's raining on Tuesday, got my Doc Martens wet. I glance down and smile at my soggy docs.
The capacity to story our experience is a powerful tool for reflection and understanding. As adults we learn that no story is pure and we are capable of telling ourselves spin, but the shaping of experience into story is the bread and butter of our lives. Narrative, it has been said, is a primary act of mind.
I have been going back to street photographs I took before coronavirus struck. Hundreds of images taken in London, Liverpool, Bangor, Abuja, Canterbury, Mararaba, Birmingham, Erith, and many other places. With each photograph comes an inevitable urge to reminisce.
61-72 out of 200 results.