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What we call people can determine the way we treat them. At one hospital in the 1980s, the rank odour of urine, tobacco and grime that characterised some homeless patients led to them being referred to as 'dunnies'.
The video featured on this page is a substandard, pirated copy of an artist's work, posted on YouTube. For most of us, it's the only means of seeing some of the most celebrated work of one of Australia's leading emerging artists.
After nearly 40 years living in Indigenous communities, Brian McCoy manages to move through difficult terrain with the sure-footedness of an ancient Aboriginal tracker, and a confidence founded on years of sitting, listening, observing and quietly healing.
The award-winning 2006 Rolf de Heer film Ten Canoes was shown to mark last weekend's anniversary. While the film itself, and many of its actors and collaborators, have a significant online presence, Australia's indigenous culture remains under-represented in the digital medium.
Bronwyn Fredericks argues for the identity of urban Indigenous Australians
Michael Mullins and James Massola are the Eureka Street editorial team.
Alan Holroyd writes in to praise Chris Johnston's artwork.
The concept of Catholic Culture Wars is destructive, because it makes truth the slave of power. Its logic can be seen in a recent Quadrant review, which projects onto an art exhibition a preoccupation with the occult and sexually ambiguous.
Train lovers are usually first lured by steam engines and stations. Enthusiasts at the Model Railway Association pursue their passion in miniature. They are also found in busy railyards around Australia.
The legacy of the Felton Bequest
Michele Gierck meets Ulli and Georgina Beier.
Peter Porter is one contemporary poet who breathes new life into existing works of art by letting them speak in the language of poetry
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