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Keywords: Australian Poems

There are more than 200 results, only the first 200 are displayed here.

  • ARTS AND CULTURE

    Three aspects of Australian racism

    • P. S. Cottier
    • 12 June 2017
    1 Comment

    It involves hoods, but less KKK than DDD - Don Dale Detention where the kids wear the hoods in a stunning display of regressive taxation. 2. Outsourcing pain to poorer places which we pay to exercise contempt on our behalf - washing red hands in the convenient sea. Who needs a wall? 3. Protecting Islamic women by shouting at them on streets for wearing religious freedom.

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  • ARTS AND CULTURE

    The power of poetry in the age of Twitter

    • Gillian Bouras
    • 19 May 2017
    13 Comments

    Does poetry still matter in our Twitter society? Such was the question that caught my eye during a random Google session. The answers consisted of some lugubrious comments to the effect that poetry, like the novel, is dying. It is hard to believe that poets were once considered celebrities, and that poetry was once a pre-eminent form of entertainment. We also generally refrain from mentioning poetry and politics in the same breath. 'Twas not always thus.

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  • ARTS AND CULTURE

    Clues so far to the magic in reality

    • Darby Hudson
    • 08 May 2017
    4 Comments

    Repeat your name over and over and it doesn't make sense. Being able to hear your name across a noisy crowded room. Being able to see things in the dark by not looking at them directly. Walking down an old path brings back a conversation you had in exactly the same location years ago. Your handwriting looks exactly like your father's. Revisiting a childhood park destroys the memory and paves over it with the newer, boring adult memory. When you chase something you can't have it.

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  • ARTS AND CULTURE

    Who was that luckless politician?

    • Geoff Page
    • 01 May 2017
    3 Comments

    Who was that luckless politician, federal, I think, gone now from so many memories, including mine? Male, a sort of suited fledgling, older maybe than he looked, the guy who feelingly achieved, while reaching for the aphoristic wisdom of his people, the verbal train-wreck we remember so much better than than the 'issue' or his features as they pleaded with the swooping of a lens: I'm torn between two places and a hard rock?

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  • ARTS AND CULTURE

    Poems for Anzac Day

    • Jena Woodhouse and Ian C. Smith
    • 24 April 2017
    2 Comments

    Now, the forces of annihilation once again cohere, as if this were a valve in history's cardiac arrhythmia that faltered and unleashed a haemorrhage of horror, trauma, fear. The damask roses bloom unharvested in devastated fields. Their perfume cannot mask the stench that permeates the air, the atmosphere of dread, of mute despair. But when the juggernaut of war is redeployed elsewhere, the fragrant fields will come into their own, if there are hands to care.

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  • ARTS AND CULTURE

    This intimate proximity

    • Peter Evans and Brian Doyle
    • 10 April 2017
    8 Comments

    Yes, you did follow him into the palace courtyard. You had boldly vowed to follow him to the end. Now you are there. They are torturing him within as you sit with the guards without, outside in that damned courtyard and wait by the dying fire. 'What am I doing here?' you ask yourself, uneasy and lonely in the dark glow. 'But at least I am here.'

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  • ARTS AND CULTURE

    Mme. Blanchard hits the roof

    • Ian C. Smith
    • 03 April 2017

    Riding her gondola, a skimpy thing like herself, she sees her balloon ablaze, begins her descent, feathered hat lost, a rushed farewell performance. The house roof's pitch steep, her rigging tangled, fire almost out, burned, broken, she can't hang on, she who once remained aloft all night over Rome.

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  • ARTS AND CULTURE

    Prayer at the scarred tree

    • Martin Flanagan and David Adès
    • 20 March 2017
    6 Comments

    This hunger that gnaws endlessly in my guts will be the death of me, but is the life of me, because in braving yourself to the emptiness something is born, something happens. Watch and observe, tell the story well, make it an expression of your sanity, which is otherwise at risk from waves generated by the outside world and past regrets.

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  • ARTS AND CULTURE

    A cassowary in Tinbuctoo

    • Chris Wallace-Crabbe
    • 17 October 2016
    1 Comment

    When I was a kid, I certainly knew, that a cassowary in Tinbuctoo, was able to eat a missionary, cassock, bands and hymn-book, too. Because it rhymed, it had to be true. But what on earth were those bands doing? Nothing musical, I'll be bound, And a cassock, what sort of jigger was that?

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  • ARTS AND CULTURE

    Refugees returning home

    • Jena Woodhouse
    • 26 September 2016
    5 Comments

    Across the black hole of my solitude, the self-indulgent pit where I lick self-inflicted wounds, lightly step returning refugees. They know why they trek through forest, crossing rivers, day by day, on bruised and lacerated feet, in rain, on clay, on sharp-edged stones. For them there is no other way, and they are going home ... They have no doubt where they belong, the dying and the newly-born, no time to squander on regrets: they are going home ...

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  • ARTS AND CULTURE

    The sound of black

    • Kevin Gillam
    • 13 September 2016
    1 Comment

    I understand the meaning of her silence but don't have a word for it so I scour night sky for a term for the sound of black between stars and moon and meteorites and planets and us and come up with 'evol' and write it down and then show it to her and she says 'is that the root of evolve like before stuff moves or morphs?' and I say 'no, it's love backwards' and she stares at me and says nothing

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  • ARTS AND CULTURE

    Young George

    • Geoff Page
    • 23 August 2016
    4 Comments

    What's he doing in my dream, that cardinal from Ballarat? He's in some sort of seventies presbytery or hardwood hall, shirt-sleeved but with collar on and playing ping-pong like a pro, fully-focused, yet relaxed. Forehand, backhand, lob or smash, nothing is beyond his reach. The other player is unseen but plainly worthy of attack. There's just the click of celluloid foreshadowing the rise to Rome. No ball hit that's not hit back.

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