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Our one star has departed. We're wholly dark. The clouds are shedding pretension to friendliness, flake by flake. Which of us guides the other across this glassine surface that blanks every letter, deadening words. Who is that figure, globe-headed, dirndl-skirted, vacant hand-holder. The street-sign makes Mother, her little familiar. When you were born the ground had taken more than a dusting. We were locked in, but not forever. Now you are thirteen, age of reversible prime ...
Thinking my jadedness of the nine-to-five was vindicated, I crossed the road at lunchtime where this tow-truck was waiting its turn at the lights. The trucker had 'Born on the Bayou' by Credence blasting through open windows. Thought he had an amazing sound system. Then realised he had a drum-kit set up on his dash and was going for it with his sticks in time to the tune. He made his day job look easy — and all of a sudden I felt like a small little angry man. He made my week.
There were some cheers in Munich station but not all Eden proves to be so free with food and toys. There's something deeper in the blood. They have that sense of deja vu: horsemen, pikes and princes ... The pious knights of 1640, those fine sectarians, who charged for thirty years across the northern sweeps of Europe, are born again in Syria with new nomenclatures; so once again the hapless foresee it's time to move.
There is another life where we end up together. We wake in the same bed, startled but not sorry; the timber frame is warm, hand-caulked with the day-to-day dedication of the long haul. The air between us no longer electric, all now sanded smooth. But whose dog jumps on the end of that bed: yours or mine? I don't plan to think about my husband or your wife; let's leave my son right out of it. Fantasy, no more dangerous than eating gelato and dreaming of Mark Ruffalo.
I'd never met a Vietnamese, couldn't figure what we had against them. But we were raised in shadow of returned men, the shimmer of lapelled bronze, a presumption we in our turn would go when ordered ... Most of us dodged gap years of sweat and khaki, missing madness, maiming, napalm, agent orange, learning how to kill and to piss ourselves out of fear. Instead we were granted head starts with women, front marks in the greasy pole dash, a less congested clamber to unremarkable lives.
So much depends upon a red wheelchair lined with black canvas beside the front doorstep. Even more depends upon two ramps to convey a red wheelchair into the world outside.
In the dark cage of the village ... They shaved her black curls, closed her green eyes, scooped the body into a sack - threw it into the cold river.
Her every lover, her filler of dreams, her kisser of broken & bruised. She watches him through the pills, she misses him when he leaves, whispers to foot that when she recovers she will love him for ever & ever, but now he is heading back down the stairs & she stares at his absence.
How I love spending good quality time with you | You twist yourself around me giving me no space. I just want to hurl you into space | You're leaving, that's a fact, you said it straight out, with hardly any tact | I'm so alone being without you, I can still feel your glare | Thank you for giving me your love.
The woman holds up her hand to stop him speaking, with one finger pushes her black-framed glasses back into place, continues tapping keys in a large face calculator. The tiny baby in the old pram sleeps. Will our children know the cost of it all?
I will put my pinky round one arm, she'll do the same to the other. our knuckles will graze, purchase will slip on the smooth old bone. Thumbs will hanker to push against the head that binds the two arms. But our mother says, wait.
Streets like the streets in Blue Velvet or Land of the Giants. I think I may have been the only poet.
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