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Who wields the most power in the world? If one follows the money trail, it becomes clear that Western societies have become ruled by a new type of aristocracy: a management aristocracy.
At the end of the third episode of the Netflix biopic Dahmer – Monster: The Jeffrey Dahmer Story, as the ‘Watch Next Episode’ timer ran down, I turned it off and haven’t returned. At time of writing, Dahmer was the number three-ranked show on Netflix Australia. Why are viewers willing to watch? And against the scale of such horror, can there be any redemption?
There is no popular groundswell for constitutional change in the direction of a republic just at this moment. The parliamentary recess, the proclamation by the Governor General of our fealty to the new King, and the public holiday were all a bit embarrassing. The parade being over, we can go back to gawking at the Royal Family much like Americans do. The question of what monarchy means for us feels best left alone for a while.
The beauty of questions is they remind us that we do not know, even as they lure us into their openness. Questions are rarely ever closed or settled. Honner’s books are built around questions. ‘If God made the world, who made God?’ Or, leaving behind pure speculation, ‘Why doesn’t God answer my prayers?’ These are deep mysteries, but they are not meaningless mysteries, Honner says.
So far it hasn’t been easy to find a review in Australia from someone who has actually read the sixth and latest book in Rowling/Galbraith’s Cormoran Strike crime series, The Ink Black Heart. l wonder if it is too much to ask for people to simply read books (any books) before holding opinions about them.
History is on my mind at the moment, all because of yet another awful Austen adaptation. The latest cinematic mud-pie thrown at her in the new Persuasion movie may even be the worst one yet, which is something, because there’s a lot of competition. Who can forget Gwyneth Paltrow in the 1995 Emma driving a carriage in a yellow ball gown as though she were doing the time trial in Top Gear?
Eureka Street Plus is a place where respectful in-depth public conversation can take place in the grey area between polarities; a place to air differing perspectives, thoughts and concerns without fear of reprisals. It’s about making space to further enable the productive conversations necessary for an engaged, functioning society.
How do we know that what we call knowledge is knowledge? How do we know that we know? The two books I have been reading here are both about kinds of knowing. Suzie Sheehy is a particle physicist from my old stamping ground, Melbourne University. Sheehy’s story is of passionate hunters for nothing less than the meaning of everything.
It seems every fifteen years or so Eureka Street has something to announce. There was 1991, when Eureka Street launched, 2006 with the switch from print to digital, and now, the next chapter in the Eureka Street journey. After 15 years of being a free digital magazine, we are quietly overjoyed to be launching Eureka Street Plus, an expanded content offering for paid subscribers.
The rights and wrongs of what has happened in recent years regarding the experience and sufferings of transgender people have ended up as a polarised and difficult area of discourse, affecting women’s lives and rights far more than men’s. In the current situation, Raymond is a clear voice about the erosion of women’s rights and safety in what should be the safest, most pluralistic arena of all: academia.
Edward Cole understood that books encouraged community. The businessman could rub shoulders with the tramp in his Arcade. Now, in an age of division and isolation, more than ever we need spaces which facilitate community; light-filled cathedrals dedicated to the love of knowledge and stories, and their power to cross borders, politically, ideologically and culturally.
As part of the 30th anniversary of Eureka Street, we're running conversations with the team who first started the publication in 1991, alongside various people who have played a part in the Eureka Street story. In this video, Eureka Street editor David Halliday speaks with Ray Cassin.
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