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Is it any wonder that when I came to work in the press gallery I was cynical about arts policy? In those lockup hours scouring budget papers it was clear yet again the arts would not see any wins. It wasn't always this way. Prime ministers and arts ministers of yesteryear produced arts policy informed by their personal and political interest.
The closest Confucius came to this romantic view of work was a line expressed from the view of the bosses, saying, 'When he chooses the labours which are proper, and makes them labour on them, who will repine?' The answer as to who will repine, rather obviously, is the labourers.
A holistic, culture-sensitive ecological justice has its roots in the feelings, actions and awareness of each person and their relationships: human and otherwise. Organisations, a manifestation of our collective culture, must engage with the ecological challenges and not leave it to the individual, privatised space.
Ten years have passed since the Apology to Australia's Indigenous Peoples by then Prime Minister Kevin Rudd on behalf of Parliament and the nation. It seems longer. It was a time of great hope. Today, with respect to Indigenous affairs as to much else, fewer people hold great hope that anything good can come out of Canberra.
There are opportunities for both sides of politics, government and opposition, in the leftovers from 2017. The balance looked to have shifted somewhat back towards the government in the final weeks of last year. The task of Malcolm Turnbull will be to begin the new year as he ended the last.
The antecedents of Right-White Nationalism have, over three decades, entered mainstream Australian discourse. In Romper Stomper, it is represented by far-right group Patriot Blue, and a TV shock jock resembling those that Peter Dutton speaks to. But Romper Stomper doesn't pretend violence is the monopoly of the right.
The beginning of the year is traditionally a time to look beyond the messiness of the past year, to imagine a larger and more generous life, and to make good resolutions. It is also a time for reflecting on the character of public life and to ask whether we find there any large vision of a better world. And, indeed, to ask whether we should look for one.
The embroidery on the Gospel stories shows that, like the painter and the refugees treading through the dust and heat of the road to Egypt, God dreams of a peaceful world in which people and nature live at peace, villages are well watered, trees cared for, grapes hang in bunches, refugee children are fed, and angels help make art.
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