Keywords: Cultural Appropriation
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ARTS AND CULTURE
- Tim Kroenert
- 08 March 2017
2 Comments
Mildred would later say of Frank that 'he always took care of me'. Yet this telling of the story shows a more mutual exchange of strength and support than such a statement might imply. The Lovings' entanglement with the state of Virginia would ultimately lead to constitutional change in favour of interracial marriage, and Loving portrays Ruth as the main agent of the battle. At a time when cultural appropriation has become much talked about, this film by a white filmmaker shows a different way.
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ARTS AND CULTURE
- Tim Kroenert
- 14 February 2017
1 Comment
There's a gag about sitting in the back of the bus, the realities of segregation dismissed with a giggle; references to university sit-ins and firebombings come via the eyes of a cartoonishly earnest character. Meanwhile the White characters are either the object of contrived sympathy, or too thinly drawn to invoke genuine menace. Accusations of 'cultural appropriation' might be uncharitable, but the short shrift given to the real, continuing hardships of Black experience raises questions about objectives and authenticity.
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AUSTRALIA
- Neve Mahoney
- 25 November 2016
9 Comments
In a utopian world, free of racism and bigotry, there would be no problem with writers having complete artistic freedom. It becomes a problem when, for example, a white author takes the experiences of a Ugandan woman and writes a novel that becomes an acclaimed bestseller, while writers of colour struggle to get published and have their own stories told. This is white privilege at its finest. Morally, should the privileged be able to profit from the experiences and oppression of another culture?
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AUSTRALIA
- Andrew Hamilton
- 19 October 2016
7 Comments
Promos suggest you can choose your identity. Join a tour to Kurdistan and you can become an adventurer. Buy an Aussie flag, sing loudly about boundless plains, and you can become a dinky di Aussie. Identity, however, is more subtle. It is formed by relationships, to the human race, to body, to place of birth, to language, to the significant adults of childhood, to possessions, to education and work, to hobbies, religions and political parties and to all the people met through these relationships.
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ARTS AND CULTURE
- Tim Kroenert
- 12 October 2016
2 Comments
Representation of minority identities in popular entertainment is key to amplifying and dignifying those identities and their stories. Conversely, the lack of representation is a form of silencing. It's why the charges of racism laid against the all-black Luke Cage is so laughable. 'I will never get tired of seeing a bullet-proof black man,' series creator Cheo Hodari Coker told the LA Times earlier this month, positing the character as a riposte to the phenomenon of police shootings of unarmed black men in the US.
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AUSTRALIA
- Andrew Hamilton
- 05 October 2016
5 Comments
In political commentary liberal politics and identity politics are often presented as polar opposites. For supporters of liberal politics the relationship between the two is one between virtue and vice, rationality and emotion, the wise against the mob. I believe that the relationship is more complex, that identity politics shares the same stunted assumptions about personal and national identity as liberal politics, sees the self-interest of the latter, and wants to despoil it.
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INTERNATIONAL
- Esther Anatolitis
- 04 October 2016
10 Comments
Who owns a cultural object? Who has the right to determine cultural values? And how can public institutions exercise cultural responsibility? It's a timely set of questions as we consider the implications of the National Gallery of Australia's return of ancient Indian sculptures, the British Museum's refusal to return Indigenous objects, or Lionel Shriver's rejection of minority cultural identities. Each of these unleashes complex, painful consequences that can undermine cultural value or cultural safety.
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AUSTRALIA
- John Falzon
- 19 December 2014
36 Comments
While the horrible tragedy was underway in Martin Place, a remarkable thing happened. We saw, and continue to see, a powerful sense of compassion in the 'I'll ride with you' spontaneous pledges. One one level it was a simple offer of human support. But it was also a deeply profound declaration of a vision for a just and inclusive Australia.
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ARTS AND CULTURE
- Ellena Savage
- 28 November 2014
9 Comments
The need for artists to exist inside an economy regulated by middle class tastes and preferences restricts the possibilities for their work. But when our present is rocked by the incredible injustices we are watching unravel in Ferguson, artists are called upon to drop their aspirations for class mobility that is tethered to the material, and instead draw light on the immaterial, Emerson's 'secret'.
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AUSTRALIA
- Bronwyn Lay
- 21 October 2014
19 Comments
The French social scientist Bruno Latour referred to the 'uniquely Australian strategy of voluntary sleepwalking towards catastrophe'. His view conflicts with that of our prime minister, who said last week that coal is good for humanity. Abbott's thinking forgets that humanity lives within the earth's critical zone, a home that's not looking so good for humanity.
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RELIGION
- Frank Brennan
- 01 November 2012
'Even without the political static which is drowning us all out down there in Canberra, there is real doubt whether the Gillard bluff 'Don't get on a boat because you might end up in Nauru' can do what the Howard bluff could not deliver.' Full text from Fr Frank Brennan SJ's Law and Justice Oration at the Law and Justice Foundation 2012 Justice Awards Dinner, Parliament House, Sydney.
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RELIGION
- Frank Brennan
- 29 October 2012
'Though land rights and self-determination provide no utopia for the contemporary indigenous Australian community, they have belatedly put right an ancient wrong. The cost and inconvenience are unavoidable. Terra nullius is no longer an option.' Full text is from Fr Frank Brennan's keynote speech at the Central Queensland Law Association Conference, Mercure Capricorn Resort, Yeppoon, 27 October 2012.
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